Understanding Atrocities is a wide-ranging collection of essays bridging scholarly and community-based efforts to understand and respond to the global, transhistorical problem of genocide. The essays in this volume investigate how evolving, contemporary views on mass atrocity frame and complicate the possibilities for the understanding and prevention of genocide. The contributors ask, among other things, what are the limits of the law, of history, of literature, and of education in understanding and representing genocidal violence? What are the challenges we face in teaching and learning about extreme events such as these, and how does the language we use contribute to or impair what can be taught and learned about genocide? Who gets to decide if it's genocide and who its victims are? And how does the demonization of perpetrators of atrocity prevent us from confronting the complicity of others, or of ourselves?

This program is read by the author, and includes a bonus conversation. An urgent primer on race and racism, from the host of the viral hit video series " Uncomfortable Conversations with a Black Man" "You cannot fix a problem you do not know you have." So begins Emmanuel Acho in his essential guide to the truths Americans need to know to address the systemic racism that has recently electrified protests in all fifty states. "There is a fix," Acho says. "But in order to access it, we're going to have to have some uncomfortable conversations." In Uncomfortable Conversations With a Black Man , Acho takes on all the questions, large and small, insensitive and taboo, many white Americans are afraid to ask—yet which all Americans need the answers to, now more than ever. With the same open-hearted generosity that has made his video series a phenomenon, Acho explains the vital core of such fraught concepts as white privilege, cultural appropriation, and "reverse racism." In his own words, he provides a space of compassion and understanding in a discussion that can lack both. He asks only for the listener's curiosity—but along the way, he will galvanize all of us to join the antiracist fight. A Macmillan Audio production from Flatiron Books

#1 NATIONAL BESTSELLER. FINALIST for the Writers' Trust Balsillie Prize for Public Policy. A bold, provocative collection of essays exploring the historical and contemporary Indigenous experience in Canada. With authority and insight, Truth Telling examines a wide range of Indigenous issues framed by Michelle Good's personal experience and knowledge. From racism, broken treaties, and cultural pillaging, to the value of Indigenous lives and the importance of Indigenous literature, this collection reveals facts about Indigenous life in Canada that are both devastating and enlightening. Truth Telling also demonstrates the myths underlying Canadian history and the human cost of colonialism, showing how it continues to underpin modern social institutions in Canada. Passionate and uncompromising, Michelle Good affirms that meaningful and substantive reconciliation hinges on recognition of Indigenous self-determination, the return of lands, and a just redistribution of the wealth that has been taken from those lands without regard for Indigenous peoples. Truth Telling is essential reading for those looking to acknowledge the past and understand the way forward.

This fourth collection of essays by Paul Ruffin highlights his idiosyncratic wit and practiced storytelling skills in memorable autobiographic pieces ranging from the comic to the confessional. The first section, "Things Literary, More or Less," includes the title essay, in which Ruffin takes the reader on a rollicking tour with iconic Southern writer George Garrett, which ends with the two men locating the ghostly remains of an obscure Texas hamlet called Ben Hur and talking with an eccentric representative of the town's handful of inhabitants. In other essays, Ruffin workshops a cowboy poem with a couple of deputy sheriffs, reveals aspects of Edgar Allan Poe's life never before published, reviews some unusual books and shares the story of a boy who speaks only in hymns. Ruffin concludes the section with the tale of an invigorating flight to San Juan in an old DC-6. In the next section, "On Likker and Guns," Ruffin summarizes his drinking career, transcribes the conversation between two rats that destroy his university office and tells the tale of a bowhunter who asked him for his deer bladder. He also introduces the reader to a sharpshooter who, while trying to demonstrate his prowess with an old rifle, kills an old man's tractor. Finally Ruffin takes the reader on a trip to a Texas gun show to meet the menacing Boram, the clueless Billy Wayne and a vigilant wife dedicated to preserving the family budget. The book ends with an excerpt from Ruffin's unpublished memoir, "Growing Up in Mississippi Poor and White but Not Quite Trash," in which the author recalls his agonizing boyhood quest to unlock the mysteries of sex: "Never under this sun was there a child more ignorant of the act, the organs involved or its marvelous potential for pleasure and fulfillment. And never was there a child who tried harder to understand." Through Ruffin's sly vision of himself and his surroundings and his ability to focus attention on life's curious, defining moments, these essays reflect some of the best aspects of contemporary literary nonfiction. Every tale is vibrantly alive with the sincere voice, crisp details, bold images and distinctive dialogue that readers have come to relish in Ruffin's myriad writings.

Trans/acting Culture, Writing, and Memory is a collection of essays written in honour of Barbara Godard, one of the most original and wide-ranging literary critics, theorists, teachers, translators, and public intellectuals Canada has ever produced. The contributors, both established and emerging scholars, extend Godard’s work through engagements with her published texts in the spirit of creative interchange and intergenerational relay of ideas. Their essays resonate with Godard’s innovative scholarship, situated at the intersection of such fields as literary studies, cultural studies, translation studies, feminist theory, arts criticism, social activism, institutional analysis, and public memory. In pursuit of unexpected linkages and connections, the essays venture beyond generic and disciplinary borders, zeroing in on Godard’s transdisciplinary practice which has been extremely influential in the way it framed questions and modelled interventions for the study of Canadian, Québécois, and Acadian literatures and cultures. The authors work with the materials ranging from Canadian government policies and documents to publications concerning white-supremacist organizations in Southern Ontario, online materials from a Toronto-based transgender arts festival, a photographic mural installation commemorating the Montreal Massacre, and the works of such writers and artists as Marie Clements, Nicole Brossard, France Daigle, Nancy Huston, Yvette Nolan, Gail Scott, Denise Desautels, Louise Warren, Rebecca Belmore, Vera Frenkel, Robert Lepage, and Janet Cardiff.

Canadians view their healthcare – recognized throughout the world as an exemplary system – as iconic and integral to their identity. In Toward the Health of a Nation Leslie Boehm recounts the first seventy years in the life of one of the foundations of Canada's healthcare system, the Institute of Health Policy, Management and Evaluation at the University of Toronto. Boehm – a graduate of IHPME, and an instructor there throughout his career – charts the institute's history from its inception in 1947 as the Department of Hospital Administration to the present day. The first program of its kind in Canada, and one of the few in the world, the school was founded at a time when the issue of healthcare was becoming a significant part of national and provincial discussions and policies. Initially concentrating on hospital management and professional degrees, it has expanded to offer academic degrees and facilitate important research into health systems, policies, and outcomes. In Toward the Health of a Nation Boehm demonstrates the excellence of the program, its faculty, and its graduates, as well as their accomplishments in major government initiatives and royal commissions. In the seventy years since IHPME's inception healthcare has grown to become a major part of government and business activity, and it will only increase in coming years. An in-depth history of a major program in graduate health education, Toward the Health of a Nation highlights how important healthcare is to a modern, functional society.

Major thinkers engage with King's less studied writing, arguing its marginalization has let King be drafted into projects he would not endorse.

Few men have been as set on isolated adventures and as passionate about the wild landscape of Canada as R.M. Patterson. He spent over 30 years in exploration, from northern rivers such as the Nahanni and the Liard, to the foothills of the Rockies, and he recorded his discoveries in vivid words and breathtaking photographs along the way. His memorable articles are presented as a collection by TouchWood Editions.

From one of the fiercest critics writing today, Morgan Jerkins' highly-anticipated collection of linked essays interweaves her incisive commentary on pop culture, feminism, black history, misogyny, and racism with her own experiences to confront the very real challenges of being a black woman today-perfect for fans of Roxane Gay's Bad Feminist, Rebecca Solnit's Men Explain Things to Me, and Chimamanda Ngozie Adichie's We Should All Be Feminists. Morgan Jerkins is only in her twenties, but she has already established herself as an insightful, brutally honest writer who isn't afraid of tackling tough, controversial subjects. In This Will Be My Undoing, she takes on perhaps one of the most provocative contemporary topics: What does it mean to "be"-to live as, to exist as-a black woman today' This is a book about black women, but it's necessary reading for all Americans.Doubly disenfranchised by race and gender, often deprived of a place within the mostly white mainstream feminist movement, black women are objectified, silenced, and marginalized with devastating consequences, in ways both obvious and subtle, that are rarely acknowledged in our country's larger discussion about inequality. In This Will Be My Undoing, Jerkins becomes both narrator and subject to expose the social, cultural, and historical story of black female oppression that influences the black community as well as the white, male-dominated world at large. Whether she's writing about Sailor Moon; Rachel Dolezal; the stigma of therapy; her complex relationship with her own physical body; the pain of dating when men say they don't "see color"; being a black visitor in Russia; the specter of "the fast-tailed girl" and the paradox of black female sexuality; or disabled black women in the context of the "Black Girl Magic" movement, Jerkins is compelling and revelatory.