The only film critic to win the Pulitzer Prize, Roger Ebert collects his reviews from the last 30 months in Roger Ebert's Movie Yearbook 2012. Forbes Magazine described Ebert as the "most powerful pundit in America." In January 2011, he and his wife Chaz launched Ebert Presents at the Movies, a weekly public television program in the tradition that he and Gene Siskel began 35 years earlier. Since 1986, each edition of Roger Ebert's Movie Yearbook has presented full-length movie reviews, with interviews, essays, tributes, journal entries and "Questions for the Movie Answer Man," and new entries in his popular Movie Glossary. Inside Roger Ebert's Movie Yearbook 2012, readers can expect to find every movie review Ebert has written from January 2009 to July 2011, including The Social Network, Waiting for Superman, Inception, The King's Speech, My Dog Tulip, The Human Centipede and more. Also included in the Yearbook are: * In-depth interviews with newsmakers and celebrities, such as John Waters and Justin Timberlake. * Memorial tributes to those in the film industry who have passed away, such as Blake Edwards, Tony Curtis and Arthur Penn. * Essays on the Oscars and reports from the Cannes and Toronto Film Festivals.

With over 25 years of broadcasting experience, Bruce Rainnie has collected stories from every news, political and sports arena. He has forged a unique partnership with PEI's legendary weatherman, "Boomer" Gallant, and has worked closely with iconic figures like Ron MacLean, Don Cherry, and Peter Mansbridge. Bruce did the first TV interview with hockey sensation Sidney Crosby back in 1996 and has remained in contact with him ever since. He has also had the fortune of chronicling the remarkable career of Olympic Gold Medalist, Heather Moyse. This book includes entertaining and often hilarious reflections from these encounters, as well as many other anecdotes from his quarter-century as a news and sports anchor.

Revisioning Europe :The Films of John Berger and Alain Tanner, is among the few existing English-language discussions of the films made by British novelist John Berger and Swiss film director Alain Tanner. It brings to light a political cinema that was unsentimental about the possibilities of revolutionary struggle and unsparing in its critique of the European left, and at the same time optimistic about the ability of radicalism - and radical art - to transform the world. Jerry White argues that Berger and Tanner's work is preoccupied with ideas that were both central to the Enlightenment and at the same time characteristically Swiss. Translations of previously unpublished essays by both John Berger and Alain Tanner are included as appendices.

Vingt ans après le succès du Journal d'un Ti-Mé, le Popa extralucide et délirant de La Petite Vie nous revient avec ses « réflexions mentales » déjantées, complémentées par les interventions de Jaqueline, de Pogo et des autres membres de la dysfonctionnelle famille Paré. Légèrement paranoïaque mais cultivé, Popa ne craint pas d'aborder l'actualité : il se demande s'il est lui aussi #MeToo, dévoile les secrets de ses préparatifs pour la COVID, se prononce sur les réseaux sociaux, tente d'imaginer le XXIIe siècle… Voilà un livre qui réjouira à nouveau la société québécoise par son irrévérence, sa fraîcheur et son feu roulant d'humour absurde.

Founded in 1997 by producer Anita Lee and journalist Andrew Sun, the Toronto Reel Asian International Film Festival is a unique showcase of contemporary Asian cinema and work from the Asian diaspora. The festival fosters the exchange of cultural and artistic ideals between East and West, provides a public forum for homegrown Asian media artists and their work and fuels the growing appreciation for Asian cinema in Canada. In Reel Asian: Asian Canada on Screen, contributors, many of them filmmakers, examine East and Southeast Asian Canadian contributions to independent film and video. From artist-run centres, theories of hyphenation, distribution networks and gay and lesbian cinema to F-words, new media technologies and sweet n' sour controversies, Reel Asian: Asian Canada on Screen presents a multi-faceted picture of independent Asian film in Canada. The collection highlights the screen as a site for the reflection, projection and reimagination of identities and communities. Includes: David Eng, Ann Marie Fleming, Richard Fung, Monika Kin Gagnon, Colin Geddes, Kwoi Gin, Mike Hoolboom, Alice Ming Wai Jim, Cheuk Kwan, Julia Kwan, Anita Lee, Helen Lee, Karin Lee, Keith Lock, Pamila Matharu, Christine Miguel, Tan Hoang Nguyen, Midi Onodera, Mieko Ouchi, Alice Shih, Mina Shum, Mary Stephen, Ho Tam, Loretta Todd, Khanhthuan Tran, Phil Tsui, Paul Wong, Su-Anne Yeo, Iris Yudai and Wayne Yung.

Dan Rather tells the real story of his final months at CBS, including his removal from the anchor chair in the wake of the controversy surrounding the story of George W. Bush and the Texas Air National Guard.

The story of one of the most controversial films in history

How did a movie by one of the most famous filmmakers in the world end up banned, censored, and shelved? Made by “the English Federico Fellini,” Ken Russell, The Devils is so contentious that even decades after its 1971 release, Warner Brothers keeps its most incendiary scene under lock and key.

Featuring an exclusive interview with recently deceased director Ken Russell and new interviews with cast, crew, and historians, Raising Hell examines this beautifully blasphemous movie about an oversexed priest and a group of sexually repressed nuns in 17th century France. From the film’s inception through its headline–making production and controversial reception, Richard Crouse explores what it is about Russell’s rarely seen cult classic that makes it a cinematic treasure.

This is an exciting new collection sure to create ripples throughout Canadian film studies - an important new addition to the literature on Canadian screen culture. - Zoë Druick, School of Communication, Simon Fraser University Rain/Drizzle/Fog : Film and Television in Atlantic Canada is the first scholarly study of film and television in Atlantic Canada. With contributors from across the country, the book provides a broad historical overview of film and television in the region, as well as essays on specific topics in contemporary popular television (Trailer Park Boys), early television (Don Messer's Jubilee), and the work of filmmakers such as Bill MacGillivray, Andrea Dorfman, Thom Fitzgerald, and others. This collection is informed by a critical perspective on prevailing stereotypes of culture in the Atlantic region, as well as by history and political-economy debates on the relationship between Atlantic and central Canada. It is also in large part a response to the continued marginalization of regional film and television within the field of Canadian film studies, which has traditionally been dominated by a critical and artistic canon from central Canada and Quebec. Rain/Drizzle/Fog challenges the prevailing tendency to homogenize the complexity of Canadian cultural production and instead celebrates the regional distinctions that make Atlantic film and television unique. With Contributions By: Bruce Barber Andrew Burke Gregory Canning Noreen Golfman Sylvia D. Hamilton Colin Howell MalekKhouri John Mccullough Peter L. Twohig Jen Vanderburg DarrellVarga Pierre Veronneau Jerry White Tracy Y. Zhang

Readers can’t curb their enthusiasm for Pretty, Pretty, Pretty Good.

As a comedian, then producer of Seinfeld, and subsequently the creator and star of Curb Your Enthusiasm, Larry David cultivated a fanatical following. In his early stand-up days, if he walked on stage and didn’t like the crowd, he would walk off. Together with Jerry Seinfeld, he pitched NBC on a sitcom where nothing happens. A whole show could be about waiting in line at a Chinese restaurant. And somehow Seinfeld became the most successful comedy show of all time.

After nine years of writing and producing Seinfeld, and after making a huge amount of money, Larry David began to create a new show for HBO. Without much separation between himself and the character he played, Curb Your Enthusiasm followed the daily routines of Larry David. Being politically correct was far from Larry’s mind, and the audience cringed as he berated, tormented, and blustered his way into the hearts of TV watchers.

Follow the early exploits of Larry’s stand-up career, his days writing for Seinfeld, and learn how Curb was conceived and developed. Pretty, Pretty, Pretty Good — titled after Larry’s key catchphrase — also explores Larry’s on- and off-screen relationships with famous pals like Richard Lewis, Ted Danson, Mary Steenburgen, and the cast of Seinfeld, and contains an in-depth episode guide to the first seven seasons of Curb Your Enthusiasm.