Former Chief Justice of the Supreme Court of Canada, Beverley McLachlin, offers a look at her life and shares her insights into the most pressing legal and social questions we face today. As a young girl, Beverley McLachlin's world was often full of wonder--at the expansive Prairie vistas around her, at the stories she discovered in the books at her local library, and at the diverse people who passed through her parents' door. While her family was poor, their lives were rich in the ways that mattered most. Even at a young age, she had an innate sense of justice, which was reinforced by the lessons her parents taught her: Everyone deserves dignity. All people are equal. Those who work hard reap the rewards. As a young woman, McLachlin moved to Edmonton to pursue a degree in philosophy. There, she discovered her passion lay not in the ivory towers of academia, but in the real world, solving problems directly related to the lives of the people around her. And in the law, she found the tools to do exactly that. In her early years as an articling student and lawyer, she encountered sexism, exclusion, and old boys' clubs at every turn. And outside the courtroom, personal loss and tragedies struck close to home. Nonetheless, McLachlin was determined to prove her worth, and her love of the law and the pursuit of justice pulled her through the darkest moments. McLachlin's meteoric rise through the courts soon found her serving on the highest court in the country, becoming the first woman to be named Chief Justice of the Supreme Court of Canada. Over the next eighteen years, McLachlin presided over the most prominent cases in the country--involving Charter challenges, same-sex marriage, and euthanasia. One judgment at a time, she laid down a legal legacy that proved that fairness and justice were not luxuries of the powerful but rather obligations owed to each and every one of us.

Truth and Honour explores the 2011 murder of Saint John businessman Richard Oland, of the prominent family that owns Moosehead Breweries, the ensuing police investigation and the arrest, trial, and conviction of the victim's son, Dennis Oland, for second ­degree murder. Oland's trial would be the most publicized in New Brunswick history. What the trial judge called "a family tragedy of Shakespearian proportions," this real­life murder mystery included adultery, family dysfunction, largely circumstantial evidence, allegations of police incompetence, a high-powered legal defence, and a verdict that shocked the community. Today, the Oland family maintains Dennis Oland's innocence. Author Greg Marquis, a professor of Canadian history at the University of New Brunswick Saint John, leads readers through the case, from the discovery of the crime to the conviction and sentencing of the defendant. Offering multiple perspectives, Truth and Honour explores this question: was Dennis Oland responsible for the death of his father? This updated edition features a new chapter following Dennis's imprisonment and successful 2016 appeal, and raises questions about his anticipated retrial.

Trustees at Work explores the role bankruptcy trustees play in determining who qualifies as a deserving debtor under Canadian personal bankruptcy law. The idea of a deserving debtor is woven throughout bankruptcy law, with debt relief being reserved for those debtors deemed deserving. The legislation and case law invite trustees to assess debtors based on their pre-bankruptcy choices, but in practice, trustees evaluate debtors based on how cooperative the debtors are during bankruptcy proceedings. This book uses interviews and statistical data to explain how the financial and emotional pressures of trustees' work shape their decision-making process.

Truly, Madly, Deadly: The Unofficial True Blood Companion is at once an introductory guide to the first two seasons of HBO’s immensely popular vampire series True Blood, and an all-in-one treasure tomb for the “truest” of fans. Created by Alan Ball, the Oscar-winning writer of American Beauty and creator of HBO’s cult ensemble sensation Six Feet Under, in 2009 True Blood surpassed The Sopranos as the largest ever audience for a cable show at over 12.4 million viewers a week, relaunching the career of Oscar winner Anna Paquin, and introducing international audiences to Stephen Moyer, Alexander Skarsgård, and Ryan Kwanten, to name only a few of the award-winning cast.

This book offers in-depth biographies of each major cast member, along with pictures and fan quotes; guides to each episode along with a host of fun facts and behind-the-scenes anecdotes; sidebars providing additional cast or character info; full chapters, which tackle some of the greater underlying themes of True Blood such as the paranormal and the politics of race, sexuality, and gender; an overview of literary and cinematic vampires; an in-depth look at how social media has contributed to the success of the show, including interviews with the Twitter True Blood players; tributes to the supporting cast, including an interview with Kristin Bauer (Pam Ravenscroft); and an exclusive interview with, and introduction to, Charlaine Harris, author of the bestselling Sookie Stackhouse novels, on which the series is loosely based.

A crab boat off Newfoundland catches fire, and a rescue is undertaken by helicopter. A child goes missing in a New Brunswick forest, and a desperate hunt is mounted. A climber falls on a British Columbia mountain, and a helicopter rescue is attempted. A civilian chopper crashes in Nunavut, and a search-and-rescue team braves a savage snowstorm to find survivors. True Stories of Rescue and Survival features the above true stories and many more from across the country, past and present. Its heroes are to be found in the RCMP, city police forces, the Canadian military, and among all the rescue workers and specialists of the Canadian Coast Guard. Volunteers, too, risk injury and even death to help others. Sidebars spotlight the equipment search-and-rescue teams use, how search dogs are trained, how long-line rescues work, how navy divers are making a difference in the deserts of Afghanistan, and much more.

"Her book is a gift to all of us."— Patrick Lane, author of There is a Season. Following the lead of her earlier bestselling books, Anny Scoones once again charms and inspires readers with her insights and observations. Using her experiences on a farm as a backdrop, Anny muses on the environment, fate, time and aging. In this collection of personal memoirs, Anny reaches deeper into what nature, rural life and agriculture mean to us. She explores the thrills, joys and disasters of what really happens in the countryside and nearby towns. Stories vary from a rescued dog Anny met in the town bank, to a grand old white pine tree that was given a new purpose, to a horse who couldn’t relax without blackberries, to the joys of the garage sale—even a recipe for quince jelly. The book is illustrated by renowned Canadian artists Molly Lamb Bobak and Bruno Bobak. True Home is the third and final part of the Glamorgan Farm collection, tales of one of the oldest pioneer farms on Vancouver Island.

In 1968, Canadians dared to take a chance on a new kind of politician. Pierre Trudeau became the leader of the Liberal Party in April and two months later won the federal election. His meteoric rise to power was driven by Trudeaumania, an explosive mix of passion and fear fueled by media hype and nationalist ambition. This book traces what happened when the fabled spirit of the sixties met the excitement of the Centennial and Expo 67. Canadians wanted to modernize their nation, differentiate it from the US, and defuse Quebec separatism. Far from being a sixties crazy moment, Trudeaumania was a passionate quest for a new Canada that would define the values of Canadians for decades to come.

Troubling Truth and Reconciliation in Canadian Education offers a series of critical perspectives concerning reconciliation and reconciliatory efforts between Canadian and Indigenous peoples. Indigenous and non-Indigenous scholars address both theoretical and practical aspects of troubling reconciliation in education across various contexts with significant diversity of thought, approach, and socio-political location. Throughout, the work challenges mainstream reconciliation discourses. This timely, unflinching analysis will be invaluable to scholars and students of Indigenous studies, sociology, and education. Contributors: Daniela Bascunan, Jennifer Brant, Liza Brechbill, Shawna Carroll, Frank Deer, George J. Sefa Dei (Nana Adusei Sefa Tweneboah), Lucy El-Sherif, Rachel George, Ruth Green, Celia Haig-Brown, Arlo Kempf, Jeannie Kerr, David Newhouse, Amy Parent, Michelle Pidgeon, Robin Quantick, Jean-Paul Restoule, Toby Rollo, Mark Sinke, Sandra D. Styres, Lynne Wiltse, Dawn Zinga.

Afghanistan is not Canada’s first war in Asia. We’ve been there before, a half century ago … in Korea. And it was a meat grinder, scarcely remembered now … a war in which on one hilltop, on one April night, freshly-minted Canadians soldiers made a desperate stand that prevented catastrophe. In all, twenty-five thousand Canadians fought in Korea. By the time the shooting stopped, more than five hundred had been killed on lonely hilltops and in desolate ravines. Five hundred … in only two years. In Canada’s war in Korea, there were no Vimy Ridges or Normandys. In Korea, Canadians were shot down in their fours and fives mostly, on patrols and in ambushes. It was largely a war at night in small groups. But not always. There were sometimes terrifying battles where outposts were swamped by Chinese human wave attacks. This is the story of one such battle … Canada’s first in Korea, in April 1951, on a barren and rocky hill near a nothing village called Kapyong on the edge of nowhere. It’s the story of 700 men, all volunteers, in the 2nd Batallion of Princess Patricia’s Canadian Light Infantry. They’d signed up specifically to fight in Korea … and now on this April night, they found themselves surrounded by thousands of Chinese soldiers sweeping around their positions. In April 1951, the Chinese launched an offensive plunging straight for the South Korean capital, Seoul. Other allied positions collapsed around the Canadians. Only the lonely Patricias blocked the road. And now it was their turn for the Chinese treatment. The Patricias had the wrong weapons and were trained in the wrong tactics for this war. Most were utter amateurs. This was a true People’s Army -- cab drivers, lumberjacks, farm boys and adventurers. They were up against a seasoned enemy, better armed and with immense battle savvy, fresh from their victories in the Chinese Civil War. And yet in a terrifying battle in the dark that had the feel of Thermopylae … with several hundred against several thousand, with hand-to-hand fighting with bayonet’s and shovels, with foxholes lost and retaken, with calling down artillery fire on their own positions, they held. The Patricia’s that night changed the course the war could have taken. Kapyong is about what did not happen. The Canadian positions did not collapse. Kapyong did not fall. Seoul was not captured. The Chinese breakthrough went nowhere. And so, the Korean War did not end abruptly in April 1951. For the Chinese, Kapyong had simply been too much. By dawn they had abandoned the field. Incredibly, the Patricia’s casualties were ten dead and 23 wounded. Chinese dead, although unknown, must have been in the many hundreds. At no point had there been talk among the Canadians of breaking out … they had simply decided to tough it out on their hilltop. The Kapyong story sparkles with qualities that Canadians believe make up their national character: sacrifice, courage, initiative, modesty and an uncomplicated rock-solid belief in themselves. It is the story of the Patricias’ cool and cranky commander, James Stone, a World War Two veteran of the Italian campaign who applied his mountain warfare savvy to the wilds of Korea. It’s the story of Ken Barwise, who single-handedly recaptured a lost machine gun from the Chinese. It’s the story of Smiley Douglas who reached for a live grenade which landed in the midst of his platoon. It exploded just as he tossed it free, blowing off his hand. It’s the story of Michael Levy, who had fought as a teenager against the Japanese in Malaya as a guerrilla. At Kapyong he was the heroic platoon commander who called in artillery on his own position. The Patricias survived because they believed they were the best soldiers on the hill that night. They bet their lives on it. They won the bet.