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  • Author:
    Cselenyi-Granch, Ladislav
    Summary:

    Musical-instrument manufacturing was one of the few areas in which Canada was able to compete with the United States and England in the 19th and early 20th centuries. This book describes one of the leading firms in the music industry in Canada at that time. The Toronto business that was conducted under the sign of the "Big Fiddle" added significantly to the spread of music in the city of Toronto and far beyond. The founder of this family business was Richard Sudgen Williams. With his son, R.S. Williams Jr., he is also responsible for amassing what is perhaps the earliest collection of musical instruments in Canada, and what is certainly one of the largest. Of great documentary significance and value to this book are the catalogues published by the R.S. Williams firm that the author consulted during his extensive research. Of the ten catalogues cited, three can be found as part of the R.S. Williams Collection in the Royal Ontario Museum. The rest reside in the National Library of Canada and in the personal collection of Michael Remenyi in Toronto.

  • Author:
    Barclay, Michael, Jack, Ian A.D., Schneider, Jason
    Summary:

    “Two Solitudes” is excerpted from Have Not Been the Same: The CanRock Renaissance 1985-1995, available as a print or ebook.

    Published in autumn 2001, Have Not Been the Same became the first book to comprehensively document the rise of Canadian underground rock between the years 1985 and 1995. It was a tumultuous decade that saw the arrival of Blue Rodeo, The Tragically Hip, SarahMcLachlan, Sloan, Barenaked Ladies, Daniel Lanois, and many others who made an indelible mark not only on Canadian culture, but on the global stage as well. Have Not Been the Same tells all of their stories in rich detail through extensive first–person interviews, while at the same time capturing the spirit of Canada’s homegrown music industry on the cusp of the digital age.

    Ten years on, the 780–page book is still regarded by critics and musicians as the definitive history of the era. To mark this milestone, the authors have updated many key areas of the book through new interviews, further illuminating the ongoing influence of this generation of artists. And with its treasure trove of rare photos intact, this revised edition of Have Not Been the Same is sure to maintain the book’s status as one of the seminal works in the field of Canadian music writing, and a must–read for any Canadian music fan.

  • Author:
    Heal, Jamie
    Summary:

    In the space of just five years, Twice have taken the K-Pop world by storm. With hundreds of millions of views on YouTube, a sell-out world tour and record-breaking album sales under their belts, Twice have well and truly earned their place in the K-Pop hall of fame. And they're only just getting started. Twice: The Story of K-Pop's Greatest Girl Group tells the amazing story behind one of the most-loved groups of our time. Covering their triumphs and setbacks, the making of everyone's favourite tracks – including 'Like Ooh-Aah', 'Cheer Up' and 'Likey' – and their unique sense of style, this in-depth, unofficial guide is the perfect gift for any Twice fan. With dedicated profiles of each band member, Twice looks at how these talented and unique superstars have grown, and what's to come in their bright future.

  • Author:
    Lewisohn, Mark
    Summary:

    Tune In is the first volume of All These Years- a highly-anticipated, groundbreaking biographical trilogy by the world's leading Beatles historian. Mark Lewisohn uses his unprecedented archival access and hundreds of new interviews to construct the full story of the lives and work of John Lennon, Paul McCartney, George Harrison, and Ringo Starr. Ten years in the making, Tune In takes the Beatles from before their childhoods through the final hour of 1962-when, with breakthrough success just days away, they stand on the cusp of a whole new kind of fame and celebrity. They've one hit record ("Love Me Do") behind them and the next ("Please Please Me") primed for release, their first album session is booked, and America is clear on the horizon. This is the lesser-known Beatles story-the pre-Fab years of Liverpool and Hamburg-and in many respects the most absorbing and incredible period of them all. Here is the complete and true account of their family lives, childhoods, teenage years and their infatuation with American music, here is the riveting narrative of their unforgettable days and nights in the Cavern Club, their laughs, larks and adventures when they could move about freely, before fame closed in. For those who've never read a Beatles book before, this is the place to discover the young men behind the icons. For those who think they know John, Paul, George, and Ringo, it's time to press the Reset button and tune into the real story, the lasting word. From the Hardcover edition.

  • Author:
    Simon, John
    Summary:

    Producer John Simon takes you on an incredible journey through his career in music with inside tales and quirky good humor. "Simon’s star-studded debut memoir populated with humorous details and matter-of-fact commentary is incredibly readable, with plenty of quote-worthy anecdotes. Over the span of his lengthy career as a music producer, the author worked with some legendary artists, including Janis Joplin, Simon and Garfunkel, Leonard Cohen, and The Band. In this remembrance, he details his lifelong engagement with music, which follows the trajectory of American popular music as a whole, from jazz to Broadway musicals to rock ’n’ roll. An intriguing memoir about an unusual career involving some celebrated musical figures." - Kirkus Reviews.

  • Author:
    Barclay, Michael , Jack, Ian A.D., Schneider, Jason
    Summary:

    Trust Yourself is excerpted from Have Note Been the Same: The CanRock Renaissance 1985-1995, available as a print or ebook. Published in autumn 2001, Have Not Been the Same became the first book to comprehensively document the rise of Canadian underground rock between the years 1985 and 1995. It was a tumultuous decade that saw the arrival of Blue Rodeo, The Tragically Hip, Sarah McLachlan, Sloan, Barenaked Ladies, Daniel Lanois, and many others who made an indelible mark not only on Canadian culture, but on the global stage as well. Have Not Been the Same tells all of their stories in rich detail through extensive first'person interviews, while at the same time capturing the spirit of Canada's homegrown music industry on the cusp of the digital age. Ten years on, the 780-page book is still regarded by critics and musicians as the definitive history of the era. To mark this milestone, the authors have updated many key areas of the book through new interviews, further illuminating the ongoing influence of this generation of artists. And with its treasure trove of rare photos intact, this revised edition of Have Not Been the Same is sure to maintain the book's status as one of the seminal works in the field of Canadian music writing, and a must'read for any Canadian music fan.

  • Author:
    Mansouri, Lotfi, Hernandez, Mark, Burnett, Carol
    Summary:

    An insider’s view of the opera world from one of its greatest figures. Everything about opera is larger than life, but the bigger the art form, the bigger the potential for disaster. When things go wrong at the opera house, they really go wrong. No one has a greater or more intimate knowledge of such moments than Lotfi Mansouri. Over the course of a career that has spanned five decades, Mansouri has directed nearly 500 productions at major opera houses around the globe. Mansouri has gathered a collection of discrete vignettes that recount unforgettable and revealing moments at the opera as personally experienced or witnessed by him. From unbelievable snafus to unfortunate mishaps to astounding coincidences, these vignettes feature some of the biggest names in opera, as well as prominent figures from politics and more. From the hilarious to the bizarre, this is a reader-friendly look at what is often thought of as an overly serious, even mysterious form of art.

  • Author:
    Mehr, Bob
    Summary:

    Written with the participation of the Replacement's key members, including reclusive singer-songwriter Paul Westerberg, bassist Tommy Stinson, and the family of late guitarist Bob Stinson, Mehr creates a deeply intimate and nuanced portrait that exposes the primal factors and forces-- addiction, abuse, fear-- that would shape one of the most brilliant and notoriously self-destructive groups of all time. He tracks the group as they rise within the early '80s American underground, chronicles the making of their albums, and shows how their addictions first came to define them and then nearly destroyed them.

  • Author:
    Andrews, Troy
    Summary:

    The stunning story and exquisite illustrations in this Caldecott Honor and Coretta Scott King Award-winning book can now be savored along with Troy "Trombone Shorty" Andrews reading the words and playing his trumpet in this readalong that will transport readers to New Orleans and beyond!

  • Author:
    Dixon, Glenn
    Summary:

    A fascinating journey through the world’s musical cultures. Every culture on Earth has music. Every culture that’s ever existed has had it, but we don’t exactly know why. Music is not like food, shelter, or having opposable thumbs. We don’t need it to live, and yet we can’t seem to live without it. Glenn Dixon travels the globe exploring how and why people make music. From a tour of Bob Marley’s house to sitar lessons in India, he experiences music around the world and infuses the stories with the latest in brain research, genetics, and evolutionary psychology. Why does music give us chills down the backs of our necks? What exactly are the whales singing about and why does some music stick in our minds like chewing gum? Through his adventures, Dixon uncovers the real reasons why music has such a powerful hold on us – and the answers just might surprise you.

  • Author:
    Worth, Liz
    Summary:

    Treat Me Like Dirt captures the personalities that drove the original Toronto punk scene. This is the first book to document the histories of the Diodes, Viletones, and Teenage Head, along with other bands (B-Girls, Curse, Demics, Dishes, Forgotten Rebels, Johnny & the G-Rays, the Mods, the Poles, Simply Saucer, the Ugly and more) and fans that brought the punk scene to life in Toronto. This book is a punk rock road map, full of chaos, betrayal, pain, disappointments, failure, success, and the pure rock ’n’ roll energy that frames this layered history of punk in Toronto and beyond.

    Treat Me Like Dirt is a story assembled from individual personal stories that go beyond the usual “we played here, this famous person saw us there” and into sex, drugs, murder, conspiracy, booze, criminals, biker gangs, violence, art (yes, art) and includes one of the last interviews with the late Frankie Venom (singer of Teenage Head). The book includes a wealth of previously unpublished photographs.

    This uncensored oral history of the 1977 Toronto punk explosion was originally published in 2010 by Bongo Beat and is now available to the trade. Exclusive to this edition is a selected discography of all key Toronto punk releases referenced in the book, contributed by Frank Manley, author of Smash The State (1992), the acclaimed and pioneering discography of Canadian punk (and subsequent vinyl compilations) that activated the current international interest in Canadian punk from the ‘70s and early ‘80s.

  • Author:
    Peart, Neil
    Summary:

    Neil Peart decided to drive his BMW Z-8 automobile from L.A. to Big Bend National Park, in Southwest Texas. As he sped along “between the gas-gulping SUVs and asthmatic Japanese compacts clumping in the left lane, and the roaring, straining semis in the right,” he acted as his own DJ, lining up the CDs chronologically and according to his possible moods.

    “Not only did the music I listened to accompany my journey, but it also took me on sidetrips, through memory and fractals of associations, threads reaching back through my whole life in ways I had forgotten, or had never suspected.… Sifting through those decades and those memories, I realized that I wasn’t interested in recounting the facts of my life in purely autobiographical terms, but rather … in trying to unweave the fabric of my life and times. As one who was never much interested in looking back, because always too busy moving forward, I found that once I opened those doors to the past, I became fascinated with the times and their effect on me. The songs and the stories I had taken for granted suddenly had a resonance that had clearly echoed down the corridors of my entire life, and I felt a thrill of recognition, and the sense of a kind of adventure. A travel story, but not so much about places, but about music and memories.”

  • Author:
    Peart, Neil
    Summary:

    The music of Frank Sinatra, Limp Bizkit, Linkin Park, and many other artists provides the score to the reflections of a musician on the road in this memoir of Neil Peart's travels from Los Angeles to Big Bend National Park. The emotional associations and stories behind each album Peart plays guide his recollections of his childhood on Lake Ontario, the first bands that he performed with, and his travels with the band Rush.

  • Author:
    Brown, Jake
    Summary:

    Featuring exclusive interviews with people who worked alongside Tori Amos in the studio — one of her producers, sound engineers, and backing band members — as well as in–depth research into the singer herself, Tori Amos: In the Studio explores this groundbreaking artist’s career album by album. From a child prodigy pianist to her first band, her breakthrough album as a solo artist to her prolific years of recording and touring, Tori Amos has refused to play by the rules of the recording industry and instead fearlessly forged her own path and musical identity.

    Amos achieved note early in her career by being one of the few alternative rock performers to use a piano for a primary instrument. Known for her emotionally intense songs that cover a wide range of subjects including sexuality, religion, and personal tragedy, Amos has sold over 12 million albums worldwide, and seven of her studio albums have debuted in the top ten on Billboard’s Top 200 chart. In this book, Jake Brown goes behind the music to reveal Tori Amos’s artistic process of creating 11 studio albums — from Little Earthquakes to Midwinter Graces — beloved by her devoted fan base and praised by music critics.

    This is the third title in ECW’s In the Studio series by music journalist Jake Brown. Other subjects of the series include Heart and producer Rick Rubin.

  • Author:
    Berman, Stuart
    Summary:

    Danko Jones may be a straight-forward rock band, but their story is anything but. They’re a band that has roots in many different music communities — the North American indie-rock scene, the Scandinavian garage-rock scene, the European metal scene — but belong to none of them. They’re the only band that’s toured with both Blonde Redhead and Nickelback, and they’re the only band whose biography could attract a cast of characters that includes Lemmy Kilmister of Motörhead, Elijah Wood, Ralph Macchio, Peaches, Dizzy Reed of Guns N’ Roses, Damian Abraham of Fucked Up, Jello Biafra of the Dead Kennedys, George Stroumboulopoulous, Alan Cross, Mike Watt and many others.

    Too Much Trouble is about more than just Danko Jones’ history — it’s an exploration of the rigid politics that govern both underground and mainstream music, and how a band can succeed without pandering to either.

    This is a 15-year saga that goes from college-radio DJ booths to corporate boardrooms, from dingy after-hours boozecans to the biggest festival stages in Europe, marked by encounters with everyone from D.C. riot grrrls to Dublin riot police, from death-metal deities to Hollywood celebrities. And if all this sounds somewhat preposterous, well, as Danko himself would say: this book ain’t boastin’, it’s truthin’.

  • Author:
    Jones, Booker T.
    Summary:

    The long-awaited memoir of Booker T. Jones, leader of the famed Stax Records house band, architect of the Memphis soul sound, and one of the most legendary figures in music. From Booker T. Jones's earliest years in segregated Memphis, music was the driving force in his life. While he worked paper routes and played gigs in local nightclubs to pay for lessons and support his family, Jones, on the side, was also recording sessions in what became the famous Stax Studios-all while still in high school. Not long after, he would form the genre-defining group Booker T. and the MGs, whose recordings went on to sell millions of copies, win a place in Rolling Stone's list of top 500 songs of all time, and help forge collaborations with some of the era's most influential artists, including Otis Redding, Wilson Pickett, and Sam & Dave. Nearly five decades later, Jones's influence continues to help define the music industry, but only now is he ready to tell his remarkable life story. Time is Tight is the deeply moving account of how Jones balanced the brutality of the segregationist South with the loving support of his family and community, all while transforming a burgeoning studio into a musical mecca. Culminating with a definitive account into the inner workings of the Stax label, as well as a fascinating portrait of working with many of the era's most legendary performers-Bob Dylan, Willie Nelson, and Tom Jones, among them-this extraordinary memoir promises to become a landmark moment in the history of Southern Soul.

  • Author:
    Karlen, Neal
    Summary:

    This program is read by the author. A warm and surprisingly real-life biography of one of rock's greatest talents: Prince. Neal Karlen was the only journalist Prince granted in-depth press interviews to for over a dozen years, from before Purple Rain to when the artist changed his name to an unpronounceable glyph. Karlen interviewed Prince for three Rolling Stone cover stories, wrote "3 Chains o' Gold," Prince's "rock video opera," as well as the star's last testament, which may be buried with Prince's will underneath Prince's vast and private compound, Paisley Park. According to Prince's former fiancée Susannah Melvoin, Karlen was "the only reporter who made Prince sound like what he really sounded like." Karlen quit writing about Prince a quarter-century before the mega-star died, but he never quit Prince, and the two remained friends for the last thirty-one years of the superstar's life. Well before they met as writer and subject, Prince and Karlen knew each other as two of the gang of kids who biked around Minneapolis's mostly-segregated Northside. (They played basketball at the Dairy Queen next door to Karlen's grandparents, two blocks from the budding musician.) He asserts that Prince can't be understood without first understanding '70s Minneapolis, and that even Prince's best friends knew only 15 percent of him: that was all he was willing and able to give, no matter how much he cared for them. Going back to Prince Rogers Nelson's roots, especially his contradictory, often tortured, and sometimes violent relationship with his father, This Thing Called Life profoundly changes what we know about Prince, and explains him as no biography has: a superstar who calls in the middle of the night to talk, who loved The Wire and could quote from every episode of The Office, who frequented libraries and jammed spontaneously for local crowds (and fed everyone pancakes afterward), who was lonely but craved being alone. Listeners will drive around Minneapolis with Prince in a convertible, talk about movies and music and life, and watch as he tries not to curse, instead dishing a healthy dose of "mamma jammas."

  • Author:
    Levitin, Daniel J.
    Summary:

    What can music teach us about the brain? What can the brain teach us about music? And what can both teach us about ourselves?
     In this groundbreaking union of art and science, rocker-turned-neuroscientist Daniel J. Levitin (The World in Six Songs and The Organized Mind) explores the connection between music - its performance, its composition, how we listen to it, why we enjoy it - and the human brain. Drawing on the latest research and on musical examples ranging from Mozart to Duke Ellington to Van Halen, Levitin reveals:
    • How composers produce some of the most pleasurable effects of listening to music by exploiting the way our brains make sense of the world
    • Why we are so emotionally attached to the music we listened to as teenagers, whether it was Fleetwood Mac, U2, or Dr. Dre
    • That practice, rather than talent, is the driving force behind musical expertise
    • How those insidious little jingles (called earworms) get stuck in our head
    Taking on prominent thinkers who argue that music is nothing more than an evolutionary accident, Levitin poses that music is fundamental to our species, perhaps even more so than language. A Los Angeles Times Book Award finalist, This Is Your Brain on Music will attract readers of Oliver Sacks and David Byrne, as it is an unprecedented, eye-opening investigation into an obsession at the heart of human nature.

  • Author:
    Ogas, Ogi.
    Summary:

    A legendary record producer-turned-brain scientist explains why you fall in love with music. This Is What It Sounds Like is a journey into the science and soul of music that reveals the secrets of why your favorite songs move you. But it's also a story of a musical trailblazer who began as a humble audio tech in Los Angeles, rose to become Prince's chief engineer for Purple Rain, and then created other No. 1 hits, including Barenaked Ladies' "One Week," as one of the most successful female record producers of all time. Now an award-winning professor of cognitive neuroscience, Susan Rogers leads readers to musical self-awareness. She explains that we each possess a unique "listener profile" based on our brain's natural response to seven key dimensions of any song. Are you someone who prefers lyrics or melody? Do you like music "above the neck" (intellectually stimulating), or "below the neck" (instinctual and rhythmic)? Whether your taste is esoteric or mainstream, Rogers guides readers to recognize their musical personality, and offers language to describe one's own unique taste. Like most of us, Rogers is not a musician, but she shows that all of us can be musical--simply by being an active, passionate listener. While exploring the science of music and the brain, Rogers also takes us behind the scenes of record-making, using her insider's ear to illuminate the music of Prince, Frank Sinatra, Kanye West, Lana Del Rey, and many others. She sharesrecords that changed her life, contrasts them with those that appeal to her coauthor and students, and encourages you to think about the records that define your own identity. Told in a lively and inclusive style, This Is What It Sounds Like will refresh your playlists, deepen your connection to your favorite artists, and change the way you listen to music.

  • Author:
    Jackson, Blair
    Summary:

    In This Is All a Dream We Dreamed, two of the most well-respected chroniclers of the Dead, Blair Jackson and David Gans, reveal the band's story through the words of its members, their creative collaborators and peers, and a number of diverse fans, stitching together a multitude of voices into a seamless oral tapestry. Capturing the ebullient spirit at the group's core, Jackson and Gans weave together a musical saga that examines the music and subculture that developed into its own economy, touching fans from all walks of life, from penniless hippies to celebrities, and at least one U.S. vice president. This definitive book traces the Dead's evolution from its humble beginnings as a folk/bluegrass band playing small venues in Palo Alto to the feral psychedelic warriors and stadium-filling Americana jam band that blazed all the way through to the 90s. Along the way, we hear from many who were touched by the Dead--from David Crosby and Miles Davis, to Ken Kesey, Carolyn "Mountain Girl" Garcia, and a host of Merry Pranksters, to legendary concert promoter Bill Graham, and others. Throughout their journey the Dead broke (and sometimes rewrote) just about every rule of the music business, defying conventional wisdom and charting their own often unusual course, in the process creating a business model unlike any seen before. Musically, too, they were pioneers, fusing inspired ideas and techniques with intuition and fearlessness to craft an utterly unique and instantly recognizable sound. Their music centered on collective improvisation, spiritual and social democracy, trust, generosity, and fun. They believed that you can make something real, spontaneous, and compelling happen with other musicians if you trust and encourage each other, and jam as if your life depended on it. And when it worked, there was nothing else like it. Whether you're part of the new generation of Deadheads who are just discovering their music or a devoted fan who has traded Dead tapes for decades, you will want to listen in on the irresistible conversations and anecdotes shared in these pages. You'll hear stories you haven't heard before, possibly from voices that may be unfamiliar to you, and the tales that unfold will shed a whole new light on a long and inspiring musical odyssey.

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