The fast and easy way to take your singing skills to new heights  Some people are born with a naturally great singing voice, but even the best singers can benefit from a broader range of knowledge and training. Voice training not only expands your technique and power, but enhances your performance abilities in business and on stage. Singing Exercises For Dummies gives you a trusted, easy way to learn, or improve, your singing. Packed with exercises and drills in the book and on the accompanying CD, Singing Exercises For Dummies helps you strengthen your voice; refine technique; develop consistency, build power and endurance; and increase vocal range. Beginning with warm-up and proper posture then logically transitioning to scales, chords, and arpeggios, Singing Exercises For Dummies contains everything you need to develop and sharpen your singing skills. * Exercises and drills on the CD help you practice your skills * Covers everything from building power and endurance to singing pitch-perfect arpeggios Whether you're relatively new to singing, have had ongoing instruction, or are looking to break into the music industry, Singing Exercises For Dummies has you covered.

The story of "Ol' Blue Eyes" continues with Sinatra: The Chairman, picking up the day after Frank claimed his Academy Award in 1954 and had reestablished himself as the top recording artist in music. Frank's life post-Oscar was incredibly dense: in between recording albums and singles, he often shot four or five movies a year; did TV show and nightclub appearances; started his own label, Reprise; and juggled his considerable commercial ventures (movie production, the restaurant business, even prizefighter management) alongside his famous and sometimes notorious social activities and commitments.

"This book teaches guitar players from all musical backgrounds to understand, read and play modern staff notation in real time. The Keep Going Method is designed to impart the knowledge, skills and attitudes needed for sight-reading with efficiency, fun and encouragement."--BC Campus website.

A weave of biography, criticism, and memoir, Shine Bright is Danyel Smith’s intimate history of Black women’s music as the foundational story of American pop. Smith has been writing this history for more than five years. But as a music fan, and then as an essayist, editor (Vibe, Billboard), and podcast host (Black Girl Songbook), she has been living this history since she was a latchkey kid listening to “Midnight Train to Georgia” on the family stereo. Smith’s detailed narrative begins with Phillis Wheatley, an enslaved woman who sang her poems, and continues through the stories of Mahalia Jackson, Dionne Warwick, Aretha Franklin, Gladys Knight, and Mariah Carey, as well as the under-considered careers of Marilyn McCoo, Deniece Williams, and Jody Watley.

The National Book Award finalist and New York Times bestselling author of Heartland focuses her laser-sharp insights on a working-class icon and one of the most unifying figures in American culture: Dolly Parton. Growing up amid Kansas wheat fields and airplane factories, Sarah Smarsh witnessed firsthand the particular vulnerabilities—and strengths—of women in working poverty. Meanwhile, country songs by female artists played in the background, telling powerful stories about life, men, hard times, and surviving. In her family, she writes, "country music was foremost a language among women. It's how we talked to each other in a place where feelings aren't discussed." And no one provided that language better than Dolly Parton. Smarsh challenged a typically male vision of the rural working class with her first book, Heartland , starring the bold, hard-luck women who raised her. Now, in She Come By It Natural , originally published in a four-part series for The Journal of Roots Music , No Depression , Smarsh explores the overlooked contributions to social progress by such women—including those averse to the term "feminism"—as exemplified by Dolly Parton's life and art. Far beyond the recently resurrected "Jolene" or quintessential "9 to 5," Parton's songs for decades have validated women who go unheard: the poor woman, the pregnant teenager, the struggling mother disparaged as "trailer trash." Parton's broader career—from singing on the front porch of her family's cabin in the Great Smoky Mountains to achieving stardom in Nashville and Hollywood, from "girl singer" managed by powerful men to leader of a self-made business and philanthropy empire—offers a springboard to examining the intersections of gender, class, and culture. Infused with Smarsh's trademark insight, intelligence, and humanity, She Come By It Natural is a sympathetic tribute to the icon Dolly Parton and—call it whatever you like—the organic feminism she embodies.

Short-listed for the 2002 Award for Excellence in Historical Recorded Sound Research In the seventy years since 1931, various organizations large and small, including several semi-private ones, have issued or re-issued various original 78 rpm recordings from original metal plates. No comprehensive listing of these has ever before appeared; this is the first, and gathers together all the various information of ongoing interest. This is a most important addition to the record-collecting bibliography.

From celebrated music writer Dan Ozzi comes a comprehensive chronicle of the punk music scene's evolution from the early nineties to the mid-aughts, following eleven bands as they dissolved, "sold out," and rose to surprise stardom. From its inception, punk music has been identified by two factors: its proximity to "authenticity," and its reliance on an antiestablishment ethos. Yet, in the mid- to late '90s, major record labels sought to capitalize on punk's rebellious undertones, leading to a schism in the scene: to accept the cash flow of the majors, or stick to indie cred? Sellout chronicles the evolution of the punk scene during this era, focusing on prominent bands as they experienced the last "gold rush" of the music industry. Within it, music writer Dan Ozzi follows the rise of successful bands like Green Day and Jimmy Eat World, as well as the implosion of groups like Jawbreaker and At the Drive-In, who buckled under the pressure of their striving labels. Featuring original interviews and personal stories from members of eleven of modern punk's most (in)famous bands, Sellout is the history of the evolution of the music industry, and a punk rock lover's guide to the chaotic darlings of the post-grunge era.

Errol Ranville has been running all his life: from chronic poverty and racism in rural Manitoba; a discriminatory music business; alcohol and drug addiction; and the responsibilities that come with being regarded as a role model. Though Errol has faced seemingly insurmountable barriers as an Indigenous performer in a predominately white music business, his band C-Weed & the Weeds released several #1 songs and went on to score JUNO nominations in 1985 and 1986. Errol was the recipient of the Lifetime Achievement Award at the Indigenous Music Awards in 2011. Errol's autobiography Run as One is filled with love and passion as he embraces the role of trailblazer for the countless musicians that follow his path.

Rock ‘n’ Radio illustrates that Montreal was at the epicentre of the rock radio revolution in Canada, eventually attracting talented DJs from the U.S., Canada and the U.K. Their personal stories and the inevitable collision with the power of alternative FM rock radio in the late 60s take the reader through some of the best rock music recorded and the social changes that percolated in the background. The period 1926 to 1949 can be considered the Golden Age of radio when it was the hearth of the North American family. Much to everyone's surprise, it survived the incursion of television to live another Golden Age—the 1960s and 1970s when rock 'n' roll music seeped its way onto mainstream radio, pushing aside Perry Como and the Dorsey Brothers for Elvis and The Beatles. The new golden era of radio spawned what would eventually be called Top 40 AM radio, whose premise was built on the philosophy: play all the hits, then play them again. Pioneer Top 40 DJs like Alan Freed in the U.S., widely recognized as the man who coined the phrase "rock 'n' roll," spawned a new breed of radio personalities—the fast-talking salesman who delivered the goods. Hundreds of radio stations in North American gave up their entire programming day over to rock music. And with that came a legion of young, hungry Top 40 DJs such as Dave Boxer, Ralph Lockwood and Doug Pringle, looking for jobs at stations across Canada.