Georges Vigarello maps the evolution of Western ideas about fat and fat people from the Middle Ages to the present, paying particular attention to the role of science, fashion, fitness crazes, and public health campaigns in shaping these views. Although hefty bodies were once a sign of power, today those who struggle to lose weight are considered poor in character and weak in mind. Vigarello traces the eventual equation of fatness with infirmity and the way we have come to define ourselves and others in terms of body type. Vigarello begins with the medieval artists and intellectuals who treated heavy bodies as symbols of force and prosperity. He then follows the shift during the Renaissance and early modern period to courtly, medical, and religious codes that increasingly favored moderation and discouraged excess. Scientific advances in the eighteenth century also brought greater knowledge of food and the body's processes, recasting fatness as the "relaxed" antithesis of health. The body-as-mechanism metaphor intensified in the early nineteenth century, with the chemistry revolution and heightened attention to food-as-fuel, which turned the body into a kind of furnace or engine. During this period, social attitudes towards fat became conflicted, with the bourgeois male belly operating as a sign of prestige but also as a symbol of greed and exploitation, while the overweight female was admired only if she was working class. Vigarello concludes with the fitness and body-conscious movements of the twentieth century and the proliferation of personal confessions about obesity, which tied fat more closely to notions of personality, politics, taste, and class.

"In The Medicine of Peace, Jeffrey Ansloos explores the complex intersections of colonial violence, the current status of Indigenous youth in Canada in regards to violence and the possibilities of critical-Indigenous psychologies of nonviolence. Indigenous youth are disproportionately at risk for violent victimization and incarceration within the justice system. They are also marginalized and oppressed within our systems of academia, mental health and social work. By linking the contemporary experiences of Indigenous youth with broader contexts of intergenerational colonial violence in Canadian society and history, Ansloos highlights the colonial nature of current approaches to Indigenous youth care. Using a critical-Indigenous discourse to critique, deconstruct and de-legitimize the hegemony of Western social science, Ansloos advances an Indigenous peace psychology to promote the revitalization of Indigenous identity for these youth."--

Although Patricia M. Boyer won a scholarship to McMaster University with the highest mathematics marks in Ontario and graduated at age 19, literature and languages were her specialty. She first worked as a public librarian, next as a secondary school teacher, then as a newspaper editor. A community leader in arts and theatre, Patricia was devoted to human rights action in her local community and around the world, church work, drama, the education of children with disabilities and music. Each week she wrote a newspaper column inspired by episodes in the world around her, both local and global. She rewarded readers through articles infused with learning from literature, astute sensibility to human psychology and balanced insights on the tragedies and comedies of life's passing parade. Patricia Boyer summed up her approach to life as "optimistic realism". This collection of the best of her celebrated columns, organized through the 12 months of the year, or "the march of days," includes reflections on seasonal celebrations, changing atmospheres of nature and calendar milestones in the human cycle. A number of these concise yet poignant writings will move many readers with nostalgia as they evoke the happy events and tragic developments of the 60s and 70s. All of them, however, convey the wisdom of a woman whose message of optimistic realism endures like a timeless guide to living a satisfying life in the real world today.

How does life begin? What does it mean? What happens when we die? “All anyone can do is ask,” Lepore writes. “That's why any history of ideas about life and death has to be, like this book, a history of curiosity.” Lepore starts that history with the story of a seventeenth-century Englishman who had the idea that all life begins with an egg and ends it with an American who, in the 1970s, began freezing the dead. In between, life got longer, the stages of life multiplied, and matters of life and death moved from the library to the laboratory, from the humanities to the sciences. Lately, debates about life and death have determined the course of American politics. Each of these debates has a history. Investigating the surprising origins of the stuff of everyday life—from board games to breast pumps—Lepore argues that the age of discovery, Darwin, and the Space Age turned ideas about life on earth topsy-turvy. “New worlds were found,” she writes, and “old paradises were lost.” As much a meditation on the present as an excavation of the past, The Mansion of Happiness is delightful, learned, and altogether beguiling.

A CNQ Editors' Book of the Year. A Dropped Threads-style anthology, assembling original and inspiring works by some of Canada's best younger female writers — such as Heather Birrell, Saleema Nawaz, Susan Olding, Diana Fitzgerald Bryden, Carrie Snyder, and Alison Pick — The M Word asks everyday women and writers, some of whom are on the unconventional side of motherhood, to share their emotions and tales of maternity. Whether they are stepmothers or mothers who have experienced abortion, infertility, adoption, or struggles with having more or less children, all these writers are women who have faced down motherhood on the other side of the white picket fence. It is time that motherhood opened its gates to include everyone, not just the picture postcard stories. The M Word is a fabulous collection by a talented author and blogger, which is bound to attract readers from all walks of motherhood. The anthology that presents women's lives as they are really lived, probing the intractable connections between motherhood and womanhood with all necessary complexity and contradiction laid out in a glorious tangle. It is a book whose contents themselves are in disagreement, essays rubbing up against one another in uncomfortable ways. There is no synthesis — is motherhood an expansive enterprise, or is motherhood a trap? — except perhaps a general sense that being a mother and not being a mother are each as terrible and wonderful as being alive is. What these essays do show, however, is that in this age of supposed reproductive choice, so many women still don't have the luxury of choosing their mothering story or how it will play out. And those who do exercise choice often still end up contending with judgement or backlash. The essays also make clear that women are not as divided between the mothers and the childless as we might be led to believe. Women's lives are so much more complicated than that. There is mutual ground between the woman who decided to have no more children and the woman who decided to have none at all. A woman with no children also endures a similar kind of scrutiny as the woman who's had many, both of them operating outside of societal norms. A woman who has miscarried longs to be acknowledged for her own beyond-visible mothering experiences, for the baby she held inside her. And while infertility is its own kind of journey, that journey is also just one of so many whose origins lie with the desire for a child.

"A riveting blend of family history and original reportage by a conversation-starting writer for The New York Times Magazine that explores-and reimagines-Asian American identity in a Black and white world. In 1965, a new immigration law lifted a century of restrictions against Asian immigrants to the United States. Nobody, including the lawmakers who passed the bill, expected it to transform the country's demographics. But over the next four decades, millions arrived, including Jay Caspian Kang's parents, grandparents, aunts, and uncles. They came with almost no understanding of their new home, much less the history of "Asian America" that was supposed to define them. The Loneliest Americans is the unforgettable story of Kang and his family as they move from a housing project in Cambridge to an idyllic college town in the South and eventually to the West Coast. Their story unfolds against the backdrop of a rapidly expanding Asian America, as millions more immigrants, many of them working-class or undocumented, stream into the country. At the same time, upwardly mobile urban professionals have struggled to reconcile their parents' assimilationist goals with membership in a multicultural elite-all while trying to carve out a new kind of belonging for their own children, who are neither white nor truly "people of color." Kang recognizes this existential loneliness in himself and in other Asian Americans who try to locate themselves in the country's racial binary. There are the businessmen turning Flushing into a center of immigrant wealth; the casualties of the Los Angeles riots; the impoverished parents in New York City who believe that admission to the city's exam schools is the only way out; the men's right's activists on Reddit ranting about intermarriage; and the handful of protesters who show up at Black Lives Matter rallies holding "Yellow Peril Supports Black Power" signs. Kang's exquisitely crafted book brings these lonely parallel climbers together.

The Little Immigrants is a tale of compassion and courage and a vivid account of a deep and moving part of Canadian heritage. In the early years after Confederation, the rising nation needed workers that could take advantage of the abundant resources. Until the time of the Depression, 100,000 impoverished children from the British Isles were sent overseas by well-meaning philanthropists to solve the colony’s farm-labour shortage. They were known as the "home children," and they were lonely and frightened youngsters to whom a new life in Canada meant only hardship and abuse. This is an extraordinary but almost forgotten odyssey that the Calgary Herald has called, "One of the finest pieces of Canadian social history ever to be written." Kenneth Bagnell tells "an affecting tale of Dickensian pathos" (Vancouver Sun) that is "excellent … well organized, logical, clearly written, [and] suspenseful" (The Edmonton Journal).

Illuminating African narratives for readers both inside and outside the continent. Representing the very best of African creative nonfiction, Safe House brings together works from Africa's contemporary literary greats. In a collection that ranges from travel writing and memoir to reportage and meditative essays, editor Ellah Wakatama Allfrey has brought together some of the most talented writers of creative nonfiction from across Africa. In this creative nonfiction single from the Safe House anthology Simone Haysom reports on the life of a Cape Town petty criminal.

Gathering together powerful voices of feminist writers, peace activists, and matriarchal studies scholars from around the globe, The Legacy of Mothers reconceptualizes mothers, motherhood, and mothering as an alternative human logic to create a new sociopolitical order. The contributors draw on ancient knowledges, Indigenous perspectives, and African traditions like Motherism to argue for the reordering of our world according to a distinctly transformative feminism. The book then explores where this new logic is already taking root, demonstrating that a better world is not just possible but already evolving.