It was February 2020 when Ed O’Loughlin unexpectedly heard that Charlotte, a friend from the old days, had just died young and before her time. He realised that he was being led to reappraise his life, his family, and his career as a foreign correspondent and novelist in a colder new light. This search for meaning becomes the driving theme of O’Loughlin’s year of confinement. The result is a haunting examination of the author’s early life and love, the journalists and photographers with whom he covered wars in Africa and the Middle East, the suicide of his brother, his new work as an author, a family home on the edge of a graveyard, and the mysteries of memory, ageing, and loss. He was suddenly faced with facts that he had been ignoring, that he was getting old, that he wasn’t what he used to be, that his imagination, always over-active, had at some point reversed its direction, switching production from dreams to regrets. Moving, funny, and searingly honest, The Last Good Funeral of the Year takes the listener on a circular journey from present to past and back to the present: “Could any true story end any other way?”