Morrison narrates for three hours and lays out before us the complex lives and backgrounds of four generations of black family life in the south. Central is the character Milkman--an unfortunate nickname owed to his lengthy nursing period and delayed coming of age. Although a late starter, Milkman develops into a fundamentally strong person, who eventually learns to cherish his family and the importance of his roots.

This wild-spirited tale tells of a bitter strike that rages through a small lumber town along the Oregon coast. Bucking that strike out of sheer cussedness are the Stampers. Out of the Stamper familys rivalries and betrayals Ken Kesey has crafted a novel with the mythic impact of Greek tragedy.

One frozen embryo. Two families with life-long secrets. And a guy who never planned to fall in love again. Maddie Baxter West is shaken to the core when she finds out everything she believed about her life was a lie. Her parents had always planned to tell her the truth about her past: that she was adopted as an embryo. But somehow the right moment never happened. Then a total stranger confronts Maddie with the truth and tells her something else that rocks her world--Maddie had a sister she never knew about. Betrayed, angry, and confused, Maddie leaves her new job and fiancé, rejects her family's requests for forgiveness, and moves to Portland to find out who she really is. Dawson Gage's life was destroyed when London Quinn, his best friend and the only girl he ever loved, is killed. In the hospital waiting room, London's mother reveals that London might have had a sibling. The frozen embryo she and her husband donated decades ago. When Dawson finds Maddie and brings her to Portland, the Quinns--her biological parents - welcome her into their lives and hearts. Maddie is comforted by the Quinns' love and intrigued by their memories of London, who was so much like her. Is this the family and the life she was really meant to have? Now it will take the love of Dawson Gage to help Maddie know who she is ... and to help her find her way home.

A vital, tender, death-haunted work by one of Ireland's most important contemporary writers, Solar Bones is a celebration of the unexpected beauty of life and of language, and our inescapable nearness to our last end. It is All Souls Day, and the spirit of Marcus Conway sits at his kitchen table and remembers. In flowing, relentless prose, Conway recalls his life in rural Ireland: as a boy and man, father, husband, citizen. His ruminations move from childhood memories of his father's deftness with machines to his own work as a civil engineer, from transformations in the local economy to the tidal wave of global financial collapse. Conway's thoughts go still further, outward to the vast systems of time and history that hold us all. He stares down through the "vortex of his being," surveying all the linked circumstances that combined to bring him into this single moment, and he makes us feel, if only for an instant, all the terror and gratitude that existence inspires. Solar Bones is a masterwork that builds its own style and language one broken line at a time; the result is a visionary accounting of the now.

Journalist Kerstin Ostheim and freelance photographer P.J. Banner have been together six months after meeting on a dating website. As their wedding fast approaches, they question their compatibility while investigating mysterious horse killings taking place in Ogweyo's Cove, the Pacific tourist haven where they live. In the meantime, Schuld Ostheim, Kerstin's transgender daughter from her first marriage, is preparing for an art exhibit after being hospitalized for a physical assault while her boyfriend, Woloff, an Olympic medalist in the 1500m, comes to terms with a career-ending knee injury. As Kerstin and P.J. get closer to the truth about the dead horses, they also begin to more clearly see each other. Simultaneously, Schuld's and Woloff's pasts come back to haunt them, jeopardizing their sense of a possible future. Ultimately, Smells Like Stars draws attention to what is hidden in plain sight, what cruelties life presents, and what struggles we face in our search for meaning.

Escaping her failing marriage in the United States, Grace Marisola has returned to Pondicherry to cremate her mother. Once there, she receives an unexpected inheritance-a property on the isolated beaches south of Madras-and discovers a sister: Lucia, four years older, who has spent her life in a residential facility. Settling into the pink house on its spit of wild beach, Grace builds a new and precarious life with Lucia, the village housekeeper Mallika, the drily witty Auntie Kavitha, and an ever-multiplying band of dogs, led by the golden Raja. In the lush wilderness of Paramankeni, with its vacant bus stops colonized by flying foxes, its temples shielded by canopies of teak and tamarind, Grace feels that she has come to the very end of the world. But her attempts to leave her old self behind prove first a struggle, then a strain, as she discovers the chaos, tenderness, fury, and bewilderment of life with Lucia. In fierce, lyrical prose, Doshi presents an unflinching portrait of contemporary India, exploring the tensions between urban and rural life, modernity and tradition, duty and freedom. Luminous, funny, surprising, and heartbreaking, Small Days and Nights is a story of the ties that bind, the secrets we bury, and the sacrifices we make to forge lives that have meaning.

Liza, determined to prove that her mother's boyfriend is no good, starts researching the oil company he works for. Liza discovers a lawsuit against the company for compensation that is long overdue to Guatemalan farmers. She starts a group at school called GRRR! (Girls for Renewable Resources, Really!) and launches an attack on Argenta Oil. As her activism activities increase, her objections to her mother's boyfriend become political. She is learning to separate the personal from the political, but when her mother discovers her plans for a demonstration outside the Argenta Oil head office, the two collide in ways Liza least suspected.

As the summer ends, friendship begins. When single mom Joy Lee abandoned her old life to take a job at a lakeside resort, she found something that her family's wealth and influence could never buy: peace of mind. Not easy to come by for the once-burned divorcEe who keeps everyone at a distance. But when her new friend, Maris, dares her to take a chance with the drive-in's charismatic new owner, everything changes for Joy and her young son. A difficult childhood has left Maris Kennedy with definite priorities. Her job running Summer's End, the camp store and cafe, comes first. Always. Nothing could ever make her risk that hard-won security-especially not her free-spirited colleague. But the more she encourages Joy to open herself up to new experiences, the more Maris begins to wonder what she, too, might be missing. Learning how to trust will bring Joy and Maris together. And soon they form a friendship that leaves them as close as sisters-and open to love where they least expect it, in Summer's End.

Sophie Lane returns to Blackberry Island, determined to rebuild, until small-town life reveals a big problem: she can't grow unless she learns to let go. As much as she adores her husband and sons, Kristine wants something for herself, but she never imagined she might have to choose between her marriage and her dreams. Like the mainland on the horizon, Heather's goals seem beyond her grasp. Can she break free, or will she be trapped in this tiny life forever?