The first major rock music festival and the precursor to Woodstock, the Monterey International Pop Festival was an unprecedented gathering of pop, soul, jazz, and folk artists who took the stage one luminous weekend during the "Summer of Love." On the 16th, 17th, and 18th of June, 1967, the sleepy California coastal community of Monterey played host to the now-legendary concert. In its aftermath, the world of popular culture was transformed forever. The '60s were now upon us with a soundtrack, a style, and a political and social sensibility all its own. A Perfect Haze is the official history of this glorious festival. With the endorsement and support of producer Lou Adler and the Monterey International Pop Festival Foundation, the sights and sounds of the festival come to life in this extravagant compilation of photography, memorabilia, and first-hand accounts by musicians, fans, crew members, and others who attended the concert. To read its pages is to step back in time to the moment of rock's big bang, when Jimi Hendrix, the Who, Otis Redding, Ravi Shankar, Janis Joplin, the Grateful Dead, Jefferson Airplane, the Byrds, Buffalo Springfield, and dozens more set the stage on fire-both metaphorically and, in one iconic instance, literally! Dozens of musicians and others associated with the festival have been interviewed exclusively for the book, including Pete Townshend, Roger Daltrey, Bob Weir, Ravi Shankar, D. A. Pennebaker, Andrew Loog Oldham, Steve Cropper, Booker T. Jones, and Al Kooper, as well as members of Jefferson Airplane, the Association, Moby Grape, and Canned Heat. A Perfect Haze is packed with hundreds of photographs taken both in front of the stage and behind the scenes, including works by such notable artists as Henry Diltz, Elaine Mayes, and Nurit Wilde. Festival programs, posters, advertisements, album covers, and other ephemera-most of which has never been seen before-are also included, provided by Lou Adler, the festival's nonprofit foundation, collectors, participants, and fans who attended the event. Even more than Woodstock, the Monterey International Pop Festival was the epicenter of a youthquake whose aftershocks continue to reverberate throughout our 21st-century culture. A Perfect Haze evokes this magic event in all its kaleidoscopic glory.

A centuries-old caroling tradition takes place during Christmas and New Year's in a small Newfoundland outport. The carols and their tunes have been handed down through the ages in the community's oral tradition, and there is no written transcription of the melodies or their origins. For generations villagers have walked from house to house, entered darkened kitchens after midnight, and sung the carols as occupants listened in the darkness. The documentary begins with the demise of the old tradition -- or so it was thought, until the tradition was discovered to still exist in another tiny community 200 miles distant. The program tracks down the village carolers and follows them on their rounds one winter's night.

In this narrative history and memoir, journalist, musician, and Monctonian Jason Murray follows the rise of the band that put the Maritimes on the map.Eric's Trip was a band defined as much by its DIY ethos as its low-fi, discordant music. The four-piece formed in an early-'90s Moncton basement and in a few short years, went from recording themselves on a four-track and selling cassettes at local record stores to signing on Seattle's Sub Pop records, opening for Sonic Youth, and touring internationally. Twenty years after the band's breakup (1996), A Distorted Revolution is the ultimate nostalgia trip. Through personal recollections, interviews with band members and others integral to the early 90s scene, this highly anticipated book offers a rare glimpse inside the band's formation, success, and ultimate unravelling. Includes over 20 images.

Tells the story of hip-hop's three most dynamic stars and their rise to fame: Diddy, Dr. Dre, and Jay-Z and examines the entrepreneurial genius of the first musician tycoons that largely helped to create a global multibillion-dollar industry.

There was a small sliver of time between Be-Bop and Hip-Hop, when a new generation of teenagers created rock 'n' roll. Clay Cole was one of those teenagers he was the host of his own Saturday night, pop music television show. Clay Cole's SH-BOOM! is the pop culture chronicle of that exciting time, 1953-1968, when teenagers created their own music, from swing bands and pop to rhythm and blues, cover records, a cappella, rockabilly, folk-rock, and girl groups; from the British Invasion to the creation of the American Boy Band. He was first to introduce Chubby Checker performing the "Twist;" the first to present the Rolling Stones, Tony Orlando, Dionne Warwick, Neil Diamond, Bobby Vinton, the Rascals, Ronettes, Four Seasons, Dion, and dozens more; the first to introduce music video clips, discotheque, go-go girls and young unknown standup comedians Richard Pryor, George Carlin, and Fannie Flagg to a teenage television audience.