In this story of love and loss, Tibor Schroeder, a Christian and reservist in the Hungarian forces allied with Nazi Germany, and Hedy Weisz, a young Jewish woman meet and fall in love during the Second World War - a time when romantic liaisons and marriage between Christians and Jews were not only frowned upon but against the law. Not knowing of the dangers that await them, Tibor and Hedy pledge their lives to each only to be torn apart when Hedy and her family are herded into one Nagyszollos’ ghettoes. Twenty-five years pass before the lovers are finally reunited in Canada. Based on true events, this sprawling love story of hope, courage, and redemption will stay with readers long after finishing the book. A documentary, based on this story, from Postmodern Productions is scheduled for release in March 2009.

London had the best freaks, always had. The Egyptian Hall, the Promenade of Wonders, the Siamese twins, pinheads, midgets, cannibals, giants, living skeletons, the fat, the hairy, the legless, the armless, the noseless, London had seen it all. In the Hall of Ugliness the competition was stiff. But noone had ever seen anything quite like Julia ... Pronounced by the most eminent physician of the day to be "a true hybrid wherein the nature of woman presides over that of the brute," Julia Pastrana stood apart from the other carnival acts. She was fluent in English, French and Spanish, an accomplished musician with an exquisite singing voice, equally at ease riding horseback and turning pirouettes--but all anyone noticed was her utterly unusual face. Alternately vilified and celebrated, Julia toured through New Orleans, New York, London, Berlin, Vienna, and Moscow, often hobknobbing with high society as she made her fame and fortune. Beneath the flashy lights and thunderous applause lies a bright, compassionate young woman who only wants people to see beyond her hairy visage--and perhaps, the chance for love. When Julia visits a mysterious shaman in the back alleys of New Orleans, he gives her a potion and says that she'll find a man within the year. Sure enough, Julia soon meets Theodore Lent, a boyishly charming showman who catapults Julia onto the global stage. As they travel the world, the two fall into an easy intimacy, but the question of whether Theo truly cares for Julia or if his management is just a gentler form of exploitation lingers heavily with every kind word and soft embrace.

One Man Dancing is based on the true story of a young Ugandan actor-dancer growing into artistic maturity during the murderous regime of dictator Idi Amin. It follows Charles from his youth in Uganda’s colonial villages, and through his work with artistic guru Robert Serumaga, which takes him on an eye-opening whirlwind international tour. Bounced from Africa to Europe to Canada and back again, Charles experiences bizarre and dangerous encounters with assassination, natural disaster, Idi Amin, and even the CIA. Based on the extraordinary life of a Ugandan actor, One Man Dancing is a political mystery, a story of risk and freedom, a harrowing tale of theatre and personal belief.

Megs Devonshire is brilliant with numbers and equations, on a scholarship at Oxford, and dreams of solving the greatest mysteries of physics. The younger brother she loves with all her heart doesn't have long to live. When George becomes captivated by a brand-new book called The Lion, the Witch and the Wardrobe and begs her to find out where Narnia came from, there's no way she can refuse. Megs soon finds herself taking tea with the Oxford don and his own brother, imploring them for answers. What she receives instead are more stories, stories of Jack Lewis's life, which she takes home to George. Why won't Mr. Lewis just tell her plainly what George wants to know? The answer will reveal to Meg many truths that science and math cannot.

The life and times of the Countess of Blessington and the well known men who were her lovers, in the early 19th Century.

Winner, Dobbie Literary Award, FAW Barbara Ramsden Award, Sydney Morning Herald’s Best Young Novelist Award, and The Australian/Vogel Literary Award. Night Street is the passionate story of a young painter, Clarice Beckett, who defies society’s strict conventions and indifferent art critics alike and leads an intense private and professional life. With her extraordinary talent for making simple city and seascapes haunting and mysteriously revelatory, Clarice paints prolifically and lives largely, overcoming the seemingly confined existence. Inspired by the art and life of the Victorian artist Clarice Beckett (1887–1935), Night Street is the story of a painter who, having remained unmarried by choice, continues to live with her ageing parents. Hers is an existence which, from the outside, appears both restrictive and monotonous. In fact, it masks a vibrant and passionate hidden life. With a mobile painting trolley in lieu of a studio, Clarice makes her way through the streets and coastline of Melbourne at dawn and dusk where she creates sombre, enigmatic landscapes. Through her art, she enters into a world of sensuality and freedom, away from the constraints of a conservative and disapproving society. Thornell is a beautiful writer. Her evocation of the painter Clarice, who fights against societal conventions whilst being pushed, to outwardly adhere to them, is powerful, eloquent and moving. The clarity and simplicity of Thornell’s writing resonates through the book, highlighting its undercurrent of fervour and passion, as it propels the narrative forward with a masterful sense of poetic urgency. Night Street began with Thornell’s first encounter with the paintings of Clarice Beckett at the Art Gallery of South Australia. The subtle power of Beckett’s enigmatic landscapes enabled her to imagine Clarice’s inner life and shape an extraordinary novel.

During the 1937 attack on Nanjing, American missionary and women's college dean Minnie Vautrin decides to remain at her school during a violent Japanese attack that renders the school a refugee center for ten thousand women and children.

Katherine Mary O'Fallon was 16 when she went from Boston to a ranch in Canada. Soon she met Mike Flanningan of the Canadian Mounted Police and they went to live in the far north. Their story is a romance and they experience happiness, hardship, tragedy, and courage together.

Artist Francis Bacon gets tangled up in murder while visiting the English countryside in the final mystery of this Lambda Award-winning series. Francis Bacon awakes in a four-poster bed with a punishing hangover and a naked footman beside him. The setting and company mean he's in the country, and that spells disaster for an up-and-coming artist whose natural habitat is the nightclubs and back alleys of swinging Soho. But he's put aside his distaste for the pastoral life for the sake of his favorite cousin, Poppy, a spirited young debutante who's committed the biggest blunder a deb can make: She's fallen in love with Freddie Bosworth-and must be rescued at all costs. Bosworth is a cad, an accused blackmailer with a love for Mussolini and dark secrets too terrible to tell. Fortunately, Poppy comes to her senses, breaking the engagement, and Francis thinks their troubles are over. But when the cousins take a walk through the manor grounds the next day, they find a handsome young man in a pin-striped suit lying dead in the grass. Freddie's throat has been cut, and Francis's life is on the line. Along his globetrotting adventures-which have taken him everywhere from Tangier to Berlin-Francis has been mixed up with spies, killers, and the misfits of the cities' underworlds. Now Janice Law, the Edgar Award-nominated author of Afternoons in Paris, continues to imagine the early years of the fascinating Irish-born painter, a notorious bon vivant, in the thrilling last installment of her popular mystery series.Mornings in London is the 6th book in the Francis Bacon Mysteries, but you may enjoy reading the series in any order.