Indigenous communities have been organizing against violence since newcomers first arrived, but the cases of missing and murdered women have only recently garnered broad public attention. Violence Against Indigenous Women joins the conversation by analyzing the socially interventionist work of Indigenous women poets, playwrights, filmmakers, and fiction-writers. Organized as a series of case studies that pair literary interventions with recent sites of activism and policy-critique, the book puts literature in dialogue with anti-violence debate to illuminate new pathways toward action.

A heartrending true story about racial injustice, residential schools and a path forward. Divided by a beautiful valley and 150 years of racism, the Waywayseecappo reserve and the town of Rossburn have been neighbours nearly as long as Canada has been a country. Their story reflects much of what has gone wrong in relations between Indigenous and non-Indigenous Canadians. It also offers, in the end, an uncommon measure of hope. In the town of Rossburn, once settled by Ukrainian immigrants, the average family income is near the national average and more than a third of adults have graduated from university. By contrast, the average family on the Waywayseecappo reserve lives below the national poverty line and less than a third of adults have graduated from high school, with many living in the shadow of the residential school system. Valley of the Birdtail is about how these two communities became separate and unequal--and what it means for the rest of us. The book follows multiple generations of two families and weaves their experiences within the larger story of Canada. It is a story with villains and heroes, irony and idealism, racism and reconciliation. A story with the ambition to change the way people think about Canada's past, present, and future.

What wilderness seethes beneath the skin? Knowing your wild potential, is it possible to live a life both urban and urbane? 'Urbane' continues the stories of the people, human and otherwise, we met in 'Humane', Anna Marie Sewell's best-selling first novel (Stonehouse, 2020). Hazel LeSage and her lawyer friend Shanaya set out to find Hazel's ex-husband and renegotiate the terms of their divorce, in which Hazel unjustly lost her land. Exploring Hazel's former home, they stumble into a deadly conspiracy entangling the rural lands surrounding their home city of Amiskwaciy. Meanwhile in Amiskwaciy, Hazel's pregnant firebrand daughter Missy struggles with all-day morning sickness and wild mood swings. Father-to-be Maengan struggles with their child's possibly monstrous heritage. Missy's cousin Devin, shaken to the core by the violent events recounted in 'Humane', has gone to ground in an unlikely lair. To emerge whole, like all of them, he must come to grips with the primal wildness of his soul. Devin's mentor Father Efren is no help; he's fallen in love, and that primal wildness might, for the second time in his life, cost him everything. Welcome back to Amiskwaciy, where the mythic has its feet up on your coffee table, and what you see might not be all you get.

In 2008, Canada established a Truth and Reconciliation Commission to mend the deep rifts between Aboriginal peoples and the settler society that created Canada's notorious residential school system. Unsettling the Settler Within argues that non-Aboriginal Canadians must undergo their own process of decolonization in order to truly participate in the transformative possibilities of reconciliation. Settlers must relinquish the persistent myth of themselves as peacemakers and acknowledge the destructive legacy of a society that has stubbornly ignored and devalued Indigenous experience. A compassionate call to action, this powerful book offers a new and hopeful path toward healing the wounds of the past.

Unsettling Canada is built on a unique collaboration between two First Nations leaders, Arthur Manuel and Grand Chief Ron Derrickson. Both men have served as chiefs of their bands in the B.C. interior and both have gone on to establish important national and international reputations. But the differences between them are in many ways even more interesting. Arthur Manuel is one of the most forceful advocates for Aboriginal title and rights in Canada and comes from the activist wing of the movement. Grand Chief Ron Derrickson is one of the most successful Indigenous businessmen in the country. Together the Secwepemc activist intellectual and the Syilx (Okanagan) businessman bring a fresh perspective and new ideas to Canada's most glaring piece of unfinished business: the place of Indigenous peoples within the country's political and economic space. The story is told through Arthur's voice but he traces both of their individual struggles against the colonialist and often racist structures that have been erected to keep Indigenous peoples in their place in Canada. In the final chapters and in the Grand Chief's afterword, they not only set out a plan for a new sustainable indigenous economy, but lay out a roadmap for getting there.

Part memoir and part manifesto, Unreconciled is a stirring call to arms to put truth over the flawed concept of reconciliation, and to build a new, respectful relationship between the nation of Canada and Indigenous peoples. Jesse Wente remembers the exact moment he realized that he was a certain kind of Indian—a stereotypical cartoon Indian. He was playing softball as a child when the opposing team began to war-whoop when he was at bat. It was just one of many incidents that formed Wente's understanding of what it means to be a modern Indigenous person in a society still overwhelmingly colonial in its attitudes and institutions. As the child of an American father and an Anishinaabe mother, Wente grew up in Toronto with frequent visits to the reserve where his maternal relations lived. By exploring his family's history, including his grandmother's experience in residential school, and citing his own frequent incidents of racial profiling by police who'd stop him on the streets, Wente unpacks the discrepancies between his personal identity and how non-Indigenous people view him. Wente analyzes and gives voice to the differences between Hollywood portrayals of Indigenous peoples and lived culture. Through the lens of art, pop culture, and personal stories, and with disarming humour, he links his love of baseball and movies to such issues as cultural appropriation, Indigenous representation and identity, and Indigenous narrative sovereignty. Indeed, he argues that storytelling in all its forms is one of Indigenous peoples' best weapons in the fight to reclaim their rightful place. Wente explores and exposes the lies that Canada tells itself, unravels "the two founding nations" myth, and insists that the notion of "reconciliation" is not a realistic path forward. Peace between First Nations and the state of Canada can't be recovered through reconciliation—because no such relationship ever existed.

Experience the exciting world of arctic giants through traditional tales from around Nunavut. Based on elder interviews from more than one hundred years ago, these stories reveal the fearsome giants that once stalked the arctic. From enormous beings strong enough to pick up a walrus with one hand, to massive creatures that towered over mountains and could carry humans on the lace of one boot, these Inuktitut language stories will introduce readers to a vast array of arctic giants.

Selina Boan's debut poetry collection, Undoing Hours, considers the various ways we undo, inherit, reclaim and (re)learn. Boan's poems emphasize sound and breath; they tell stories of meeting family, of experiencing love and heartbreak, and of learning new ways to express and understand the world around her through Nêhiyawêwan. As a settler and urban nehiyaw who grew up disconnected from her father's family and community, Boan turns to language as one way to challenge the impact of assimilation policies and colonization on her own being and the landscapes she inhabits. Exploring the nexus of language and power, the effects of which are both far-reaching and deeply intimate, these poems consider the ways language impacts the way we view and construct the world around us. Boan also explores what it means to be a white settler-nehiyaw woman actively building community and working to ground herself through language and relationships. Boan writes from a place of linguistic tension, tenderness and care, creating space to ask questions and to imagine intimate decolonial futures.

When superstar athlete Jim Thorpe and football legend Pop Warner met in 1904 at the Carlisle Indian Industrial School in Pennsylvania, they forged one of the winningest teams in American football history. Called "the team that invented football," they took on the best opponents of their day, defeating much more privileged schools such as Harvard and the Army in a series of breathtakingly close calls, genius plays, and bone-crushing hard work. But this is not just an underdog story. It's an unflinching look at the persecution of Native Americans and its intersection with the beginning of one of the most beloved and exploitative pastimes in America, expertly told by nonfiction powerhouse Steve Sheinkin. From the Compact Disc edition.