A mesmerizing and moving first collection, Model Disciple gives us a poetry of two minds. Confounded by Japanese-Canadian legacies too painful to fully embrace, Michael Prior’s split speakers struggle to understand themselves as they submit to their reinvention: “I am all that is wrong with the Old World, / and half of what troubles the New.” Prior emerges as a poet not of identity, but identities. Invented identities, double identities, provisional identities—his art always bearing witness to a sense of self held long enough to shed at a moment’s notice. Model Disciple‘s Ovidean shape-shifting is driven by formal mastery and mot juste precision. It’s also one of the most commanding poetic debuts in years. "Model Disciple comes alive in its beautiful precision of detail, defamiliarizing language, resonant music, and deep intimacy. These poems are lyrical accounts of the natural world intersecting with the manmade. They are viscerally present, and felt, written to illuminate and endure."—Hannah Sanghee Park, author of The Same-Different “With Model Disciple, Michael Prior launches, fully-armed, into the fray, taking on the topics of love, loss, war and cultural identity with a combination of fierceness and delicacy so rare in a first collection. Prior’s book swarms with presences both animal and human, as well as spectral; it bristles with texture and glows with unforgettable images that are laden with both ghastliness and grace.” —Alexandra Oliver, author of Meeting the Tormentors in Safeway and Let the Empire Down

A spun radio dial passing clean through poetry. A stuttering loop of Endgame recorded by Stockhausen, remixed by Kraftwerk. The chatter of minotaurs and metadata. Transmissions from far-off futures or new pasts, recordings from a recoded present topped off with a cherry. Evel Knievel, above it all, mysterious, forever taciturn. Mission Creep comes on with the inferno of apocalyptic prophecy and melts on your tongue like the last snowflake of a nuclear winter. Praise for Joshua Trotter: 'Joshua Trotter’s long-awaited debut is here, and it’s every bit as good as we’d hoped. His poems have the one maker’s mark of authenticity that absolutely cannot be faked: a fresh style that holds novelty and tradition in creative tension. ... By turns funny and terrifying, airy and claustrophobic, non-representational and razor-sharp, Trotter is stock to buy early and hold.' – National Post (on All This Could Be Yours) 'A miracle of meter and meteorology' – Poetry Foundation (on All This Could Be Yours)

The book is divided into four chapters, and each chapter serves a different purpose. Deals with a different pain. Heals a different heartache. milk and honey takes readers through a journey of the most bitter moments in life and finds sweetness in them because there is sweetness everywhere if you are just willing to look.

Think Kierkegaard in a spacesuit, Kubrik in a Left Bank café. Like the neutrino observatory of its title, Midday at the Super-Kamiokande seeks "glimpses of the obscure" to carve out meaning, alternately a resistance to rationalism and its champion. It aims to tear through abstraction with the concrete, either catastrophic -- road accidents, nuclear explosions, floods, extinction, eviction, suicide -- or quotidian, finding threads of love, empathy, and belief within the fray. These poems delight in aphorism, paradox, puns, and wit, each stanza a closure that moves tangentially to the next, each poem more bricolage than narrative, more shuffle than playlist. These are poems with no middle. These are poems of beginnings, and of ends.

For fans of Lang Leav, this beautiful gift book is a must-have! Beloved pieces from Lullabies and Love and Misadventure are collected together in this illustrated treasury. In addition, 35 new poems that have not been published in any Lang Leav collection offer something new to discover. The author's original art is presented in lovely four-color illustrations. Lang Leav's evocative poetry in a gorgeous package with ribbon marker and cloth spine is an irresistible gift for any poetry lover!

Meister Eckhart (1260-1328) was a priest, a mystic, and nearly a heretic (he died before the Church court's verdict). In the 20th century, the Roman Catholic Church rehabilitated him and the late Pope John Paul II spoke of his work with fondness. However, what makes him of particular interest is the fact that he has influenced a wide range of spiritual teachers and mystics both inside and outside the Christian tradition. Erich Fromm, Eckhart Tolle, Richard Rohr, D. T. Suzuki, and Rudolf Steiner have all credited Eckhart as being an important influence on their thought. In addition, his work has influenced the development of 20th century American Buddhism and the Theosophical tradition. Eckhart wrote at a time-much like our own-when society appeared to be coming apart at the seams. In the midst of all that chaos and uncertainty, he captured the many forms and stages of the love of God, the mystic path, and the journey of transformation-in language so startling that he was accused of heresy. Now, seven centuries later, this fresh, stunning rendering of his work translates the essence of one of Christianity's greatest poetic and spiritual voices, conveying the heart of his teachings about what it means to love God and embark on a spiritual journey characterized by mystery, paradox, and an embrace of the unknown.

Drawing on the patterns of words, speech, and identity we encounter in the wider world--subway ads in Mexico City, a Dutch-Japanese phrase book, multilingual airplane safety instructions, one of Italo Calvino's invisible cities--the poems in Hugh Thomas's Maze playfully (mis)translate the maze of languages and language into moments of amazement.

Weaving homage and history, this collection of poetry was inspired by the life of Charlotte Saloman, the Berlin-born artist who perished at Auschwitz. Saloman was the author of Life? or Theatre? an evocative fictionalized autobiography in paint that Saloman described as a means of conquering death. Bringing together biography and imagination, the conceptual lyrics in this collection evoke a terrible moment in history and celebrate a life that triumphed despite adversity.

'All of Nichol’s work is stamped by his desire to create texts that are engaging in themselves as well as in context, and to use indirect structural and textual devices to carry meaning. In The Martyrology different ways of speaking testify to a journey through different ways of being. Language is both the poet’s instructor and, through its various permutations, the dominant "image" of the poem. The [nine] books of The Martyrology document a poet’s quest for insight into himself and his writing through scrupulous attention to the messages hidden in the morphology of his own speech.’ – Frank Davey