A Gothic tale of the macabre, with strong accents of cruelty, about the adventures of an irrepressible young woman named Zora Korteniemi, who combines traits of Pollyanna with those of the Marquis de Sade. Set in the fictional state of Karelia, on the murky border between Finland and Russia in the days of horseback and hearth fires, this surreal novel--inspired by Norse mythology--won the 2013 Robert-Cliche Prize. 2017.

Fantastical, magnetic, and harsh'these are the women in Paige Cooper's debut short story collection Zolitude. They are women who built time machines when they were nine, who buy plane tickets for lovers who won't arrive. They are sisters writhing with dreams, blas' about sex but beggared by love'while the police horses have talons and vengeance is wrought by eagles the size of airplanes. Broken-down motorbikes and housebroken tyrannosaurs, cheap cigarettes and mail bombs'Cooper finds the beautiful and the disturbing in both the surreal and the everyday. Troubling, carnal, and haunting, these stories are otherworldly travelogues through banal, eco-fabulist dystopias. Zolitude is a gorgeous, sad, and sexy work of slipstream and an atlas of fantastic isolation. The monstrous is human here, and tender.

“If you like your crime hard and fast, Kalteis is for you.” — The Globe and Mail

Set to the cranking beat and amphetamine buzz of Vancouver’s early punk scene, Zero Avenue follows Frankie Del Rey, a talented and rising punk star who runs just enough dope on the side to pay the bills and keep her band, Waves of Nausea, together. The trouble is she’s running it for Marty Sayles, a powerful drug dealer who controls the Eastside with a fist.

When Frankie strikes up a relationship with Johnny Falco, the owner of one of the only Vancouver clubs willing to give punk a chance, she finds out he’s having his own money problems just keeping Falco’s Nest open. Desperate to keep his club, Johnny raids one of the pot fields Marty Sayles has growing out past Surrey, along Zero Avenue on the U.S. border. He gets away with a pickup load and pays back everybody he owes. Arnie Binz, bass player for Waves of Nausea, finds out about it and decides that was easy enough. But he gets caught by Marty’s crew.

Johnny and Frankie set out to find the missing Arnie, but Marty Sayles is pissed and looking for who ripped off his other field — a trail that leads to Johnny and Frankie.

Zee and his friends are angry that their old haunt has been replaced by stores that are off-limits to them and storekeepers who treat them with distrust. To let the merchants know what he and his friends think, Zee paints graffiti on the wall of the hardware store. After the wall is repainted, Zee decides to repeat the vandalism, but this time with more artistic flair. A store owner catches him in the act and threatens to call the police -- unless Zee agrees to repair the damage.

Yugoslavia, 1991. The State is crumbling, and in the midst of the political chaos secret policeman Marko della Torre has been working both sides of the law — but somewhere along the way he's crossed the line. When a corrupt cop called Strumbic helps three hired Bosnian thugs to hunt him down and kill him, della Torre makes a run for it through Croatia, Italy, and finally to London, where he’ll take Strumbic for all he's worth. A page-turning thriller shot through with black humour and razor-sharp dialogue, Zagreb Cowboy is the spectacular debut novel in a taut new crime fiction series.

Zachary's Horses picks up where Zachary’s Gold left off and continues the adventures of Zachary Beddoes. It is 1870, and the ex-lawman is hiding out in the capital of colonial British Columbia, using the name Lincoln Zachary. He soon befriends a series of locals: a young woman with a mysterious background; a pair of young English gentlemen, who are travelling through the area; a manic, alcoholic notary from the Washington Territory; and a rich but unscrupulous local business family, who are organizing what they think will be the horse race of the decade. But not all of his new friends have Zachary’s best intentions at heart, as he becomes involved with a blackmailing scoundrel who knows his true identity and intends to make the most of the situation. Suspense mounts as the day of the horse race approaches. Both love and danger are in the air, and Zachary once again exhibits his ability to do just the wrong thing at the wrong time.Set in a most interesting time and place in our history, Zachary's Horses follows Zachary Beddoes as he struggles to survive the Wild West of the north.

Moving with her mother from Vancouver to Wells, British Columbia, Elizabeth Connell longs for the excitement of the city and her father, brother, and friends left behind. While she is in the peaceful graveyard of nearby Barkerville she finds a small gold ring that has very special powers. By twisting the ring on her finger, Elizabeth is transported to the nineteenth century during the heyday of the gold rush. Caught between her present life with family and friends and a love in the past, Elizabeth learns more than history.

Faye is the "good" adopted Chinese daughter. Bev is the wild child. Mannie is the unambitious stoner. What brings them together--and tears them apart--is a need to move beyond the clichés and commit to something--anything--that will bring meaning and joy to their lives. When Faye's long-lost childhood neighbor, Bev, turns up out of the blue, wanting something from her old friend, Faye goes along with Bev's plan. But Mannie, the joyriding daddy of Bev's baby, has a half-crazed romantic agenda of his own. As one cold, miserable prairie spring inches toward summer, a series of unexpected and sometimes explosive decisions sends the trio hurtling toward disaster. A darkly funny portrayal of three unforgettable teenagers feeling their way into adulthood in an imperfect world.

T-- is used to getting grief. He gets it from his mom, who blames herself for his accident years earlier. He gets it from Mr. Lam, who suspects every kid of stealing from his shop. Worst of all, he gets it from Joined at the Hip, a trio of bullies so vicious that they leave T-- terrified of even using his entire name. But T-- has his own strength too: his camera, which captures the unique way he sees the world. His pictures connect him to Ms. Karamath, the kind librarian at school; his friend Sean, whose passion for mysteries is matched only by his love for his dog; and especially Lucy, a homeless woman who shares his admiration for the photographer Diane Arbus. When Lucy is attacked by Joined at the Hip, T-- documents the assault on film. But the bullies know he has the photographs, and their anger could be deadly. What's the right thing for T-- to do? Do pictures ever tell the whole truth? And what if the truth isn't always the right answer?