This authoritative edition was formerly published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Wilde's poetry and prose short stories, plays, critical dialogues and his only novel - to give the essence of his work and thinking.

The Love Poems of Rumi, as translated by Philip Dunn in this gorgeous little book, maintain the same emotional significance with readers today as they did seven centuries ago when originally composed by the Persian poet.

Samples: The heart is comforted by true words, just as a thirsty man is comforted by water. Don’t hide your heart but reveal it, so that mine might be revealed, and I might accept what I am capable of. If the heart isn’t there, how can the body speak?  If the heart doesn’t seek, how can the body seek?

Nominated for the 2014 Dorothy Livesay Poetry Prize (BC Book Prizes); finalist for the 2014 City of Victoria Butler Book Prize

Atmospherically light and stylistically expansive – poems that regard our givens as a gift.

Don McKay’s description of The Pearl King and Other Poems, Catherine Greenwood’s wonderful first book, also apply to The Lost Letters: “With discerning wit and a large range of styles and voices, she holds up each subject for contemplation as though it were a pearl. . . .”

At the centre of The Lost Letters is a sequence of radically diverse poems based on the story of Heloise and Abelard, truly lovers in a dangerous time, the twelfth century. The raw material is heavy, tension between flesh and spirit being the serious issue carried forward from the twelfth century into the twenty-first. But Greenwood’s deft and delicate handling of scenarios of love requited but balked becomes a perceptive reading – extraordinarily inventive and constantly surprising – of contemporary secular society.

The Lost Letters creates a world of wonder tinged with sadness on behalf of so much that goes unnoticed, whether it’s a bin of severed sows’ ears, a lizard tethered by its tail who severs it by self-amputation, or a down-and-out old schoolmate.

Longlisted for the Griffin Poetry Prize. A New Yorker Essential Read. Named a Best Book of the Year by The Washington Post, Vulture, NPR, Financial Times, The Telegraph, and Electric Literature. A formally ambitious and intensely felt new volume from the author of 10:04 and The Topeka School. The Lights is a constellation of verse and prose, voice mails and vignettes, songs and felt silences, that brings the personal and the collective into startling relation. Sometimes the scale is intimate, quiet, and sometimes the poems are sweeping, Orphic experiments in the animation of our common world. Written over a span of fifteen years, The Lights registers the pleasures, risks, and absurdities of making art and family and meaning against a backdrop of interlocking, accelerating crises, but for all their insight and critique, Ben Lerner's poems ultimately communicate-in their unpredictability, in their intensities-the promise of mysterious sources of lift and illumination.

The Last to Leave is Margaret Clough's second collection of poetry. These poems follow on from her first extremely popular collection, At Least the Duck Survived (2011) in that the light, warm-hearted tone continues as does Clough's engagement with aging and mortality. These poems are a tonic and leave the reader feeling refreshed, saddened and better off. Clough has participated in The Franschoek Literary Festival, and has been invited to a number of reading engagements in the Western Cape, including the McGregor Poetry Festival. Her books sell out every time she reads.

A sure-tongued linguistic menagerie.

Brent’s poems also appear in News and Weather: Seven Canadian Poets edited by August Kleinzahler – This anthology cuts into the Canadian poetry scene on a fresh, oblique angle. Included are Robert Bringhurst, Margaret Avison, A.F. Moritz, Guy Birchard, Terry Humby, Alexander Hutchinson and Brent MacKay.

Winner of the Audre Lorde Award for Lesbian Poetry A finalist for the Dorothy Livesay Prize and the Lambda Literary Award In her ambitious follow-up to Hagiography, acclaimed poet Jen Currin continues her unique exploration of the surrealist lyric, constructing a strong case that, in these frightening times, it may be the best poetic mode for capturing the complexities of lived experience. In tongues alternately vulnerable, defiant, resigned, and hopeful, The Inquisition Yours speaks to the atrocities of our time – war, environmental destruction, terrorism, cancer, and the erosion of personal rights – fashioning a tenuous bridge between the political and the personal. Trying to make sense of a world where even language is 'a danger,' Currin’s poems reject the old storylines in favour of a vigilant awareness, and wonder what might happen if we 'change the feared penmanship' and embrace a narrative that empowers everyone. 'Jen Currin writes eloquently; she writes fervently - she writes irony and truth with alarming ease … Currin's writing is always surprising and often revelatory, punctuated by epiphanies and linguistic acrobatics … Anyone who wants to write will find this book an absolute joy to read.' – Geist Magazine 'Currin's poetry … leaves us dazed and amazed at the jumble of words upon the page that fall together like so much confetti in a celebratory parade of language. We are to emerge ... with the sense that we have taken a journey to an exotic land.’ – Prairie Fire Reivew of Books 'Currin updates longstanding surrealist tropes — dreamscapes, disjointed images — with lines that would have been unthinkable to André Breton … This is a new poetry for a new century.' – Xtra! 'The pieces are minimalist and sharp, with a dark sense of humour … Though Currin’s surreal style invites multiple interpretations, her vivid imagery and intense storytelling make it easy for the reader to connect with these poems. – Shameless Magazine

This collection of Tibetan poetry and lyrics is accompanied by extensive commentary and offers a great insight into a rich literary culture. Tibet, remote and inaccessible, is less known to the western world for its literary than its artistic contributions to world culture. Nevertheless, it has produced a literature of enduring beauty and significance, the supreme achievement of which is the poetry of Milarepa, its greatest poet and saint. This Tibetan poetry book indicates in its poetic exaggeration that, to the Tibetans, his poetry contains all earthly and celestial wisdom. It is from this masterpiece that the selections for the present volume have been made-songs in which Milarepa describes his life in the solitude of mountain glaciers, his yogic attainments in self-discipline, his encounters with demons who try to obstruct his meditations, and his arrival at enlightenment and spiritual freedom. Presented here in skillful translation-in a volume decorated with original Tibetan woodcuts and motifs from Tibetan art-these poems shiningly reflect the genius of Tibet's "Old Man, Storehouse of Songs."

Courageous and astute, this collection of poems, written in varied styles, explores the emotional upheavals caused by the estrangement of a son. Weaving together complex layers of personal history, these poems capture the poet's personal journey in trying to understand how these things happen in families and the process towards reconciliation.