Hoping to escape a brutal New York winter, Cheney and Shiloh travel with a group of friends to Sangria House, a small citrus plantation in Florida. But when they arrive, all is not as they expected. Though the place seems deserted, with no supplies or staff, they manage to get settled in and look forward to enjoying a relaxing holiday together. But when they find something dreadful in the wine cellar, they wonder if perhaps Sangria House is not the haven they had thought it would be.

Born on a plantation in Charles City, Virginia, Pheby Delores Brown has lived a relatively sheltered life. Shielded by her mother's position as the estate's medicine woman and cherished by the Master's sister, she is set apart from the others on the plantation, belonging to neither world. She'd been promised freedom on her eighteenth birthday, but instead of the idyllic life she imagined with her true love, Essex Henry, Pheby is forced to leave the only home she has ever known. She unexpectedly finds herself thrust into the bowels of slavery at the infamous Devil's Half Acre, a jail in Richmond, Virginia, where the enslaved are broken, tortured, and sold every day. There, Pheby is exposed not just to her Jailer's cruelty but also to his contradictions. To survive, Pheby will have to outwit him, and she soon faces the ultimate sacrifice.

Folktale, memoir, fiction, literary hoax, The Yellow Briar is all of these. Ostensibly the charming remembrance of an Irish orphan who escapes the Great Famine of 1840s Ireland and comes to the New World to seek a fresh start on the streets of Toronto and in the pioneer hinterland of Canada West (Ontario), the book was actually a fictional humbug perpetrated by John Mitchell, a Toronto lawyer, who first published the tale in 1933. Patrick Slater, the protagonist of the "memoir," is said to have died in 1924 but not before setting his saga down on paper. And what an account it is! The Globe and Mail felt that the book "gives a picture of Ontario to be found in no other work of fiction we know and has won for itself a permanent place in Canadian literature." If nothing else, Slater/Mitchell captures perfectly the lilt of the Irish and the wry wisdom of an old soul to paint an affecting portrait of trials and tribulations in a long-ago time.

As the son of a Korean family of substance the author of this autobiographical sketch grew up, in the early years of the century, among unsettling influences from east and west. Europe, known as "West of the Ocean," supplied modern education to replace the old classics of China and Korea. From the east came Japanese troops to annex the country in a bloodless war. Mirok Li, a perceptive and receptive schoolboy, saw this political scene in terms of his day-to-day experience. The remarkable thing is that he continued to see it with the same clarity, truth and detail when came to write the story many years later in Europe, using a simple German that his translator may perhaps have improved on Mr. Hammlmann's English version, at least, is lucent calm and fully expressive of the closely felt Korean scene that stirs the reader by its blend of intimacy and remoteness.

A sumptuous and epically told love story inspired by A Thousand and One NightsEvery dawn brings horror to a different family in a land ruled by a killer. Khalid, the eighteen-year-old Caliph of Khorasan, takes a new bride each night only to have her executed at sunrise. So it is a suspicious surprise when sixteen-year-old Shahrzad volunteers to marry Khalid. But she does so with a clever plan to stay alive and exact revenge on the Caliph for the murder of her best friend and countless other girls. Shazi's wit and will, indeed, get her through to the dawn that no others have seen, but with a catch ... she's falling in love with the very boy who killed her dearest friend. She discovers that the murderous boy-king is not all that he seems and neither are the deaths of so many girls. Shazi is determined to uncover the reason for the murders and to break the cycle once and for all.

In Berlin in 1941 during humanity's darkest hour, three unforgettable young women must act with courage and love to survive, from the New York Times bestselling author of The Dovekeepers and The Marriage of Opposites Alice Hoffman. In Berlin, at the time when the world changed, Hanni Kohn knows she must send her twelve-year-old daughter away to save her from the Nazi regime. She finds her way to a renowned rabbi, but it's his daughter, Ettie, who offers hope of salvation when she creates a mystical Jewish creature, a rare and unusual golem, who is sworn to protect Lea. Once Ava is brought to life, she and Lea and Ettie become eternally entwined, their paths fated to cross, their fortunes linked. Lea and Ava travel from Paris, where Lea meets her soulmate, to a convent in western France known for its silver roses, to a school in a mountaintop village where three thousand Jews were saved. Meanwhile, Ettie is in hiding, waiting to become the fighter she's destined to be. What does it mean to lose your mother? How much can one person sacrifice for love? In a world where evil can be found at every turn, we meet remarkable characters that take us on a stunning journey of loss and resistance, the fantastical and the mortal, in a place where all roads lead past the Angel of Death and love is never ending.

Despite ongoing trials, they feel that God has granted them this season of relief, hope and joy.

For the Steeds, the years between 1836 and 1838 are a time of separation and reunion, committment and apostasy, heartache and hope. Nathan Steed joins Parley P. Pratt on a challenging mission to Upper Canada. Jessica, Joshua's ex-wife, feels compelled to seek a safe haven with the Church in Far West, Missouri; meanwhile, Joshua, restless, ambitious, and haunted by his past -- journeys to Savannah, Georgia. Tensions between Melissa and her nonmember husband, Carl, forces her to make a difficult decision. And even as a growing spirit of apostasy permeates Kirtland, the divine call comes to open the work in the first missions overseas -- England.

A sweeping and turbulent drama about the anxieties of postwar Britain, where one strong and inspirational young woman looks to find her place, no matter the cost.

Sometimes, the truth lies in fiction

It’s hard to be an American girl in 1957. Especially when your dad’s job means you have to move four thousand miles from home. Especially if you’d rather play baseball than wear a dress. Especially if you see your mom fraying a little more from anxiety each day. And especially if being five minutes older means you have to protect your fragile twin brother.

Still, Hedy Delaney loves her family, and she’s trying to make the best of her new life on a U.S. airbase in England. After all, her dad’s a war hero, her mother’s a beauty, and her brother’s a brainiac who writes moving stories about space travel.

Then one tragic day, the unforeseen occurs and all three are ripped away, leaving Hedy alone with countless questions. What really happened on the airbase? What went on behind military closed doors? What were the secrets that could never be told? And how could any of it have led to her family’s destruction?

In her search for the truth, Hedy turns to a story her brother began months before he died. Deciding to finish what her brother started, Hedy begins to piece together what happened to her family. But whether she’s ready for what she’ll discover is another matter entirely.

A sweeping and turbulent family drama, The Wonderful asks whether writing fiction can uncover fact, and if it’s ever better to let the truth remain hidden.

Sometimes, it’s safer not to finish what you’ve started.