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Après Satie For Two and Four Hands

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  • Publisher:
    Brick Books, 2016
    Note: This book was purchased with support from the Government of Canada's Social Development Partnerships Program - Disability Component.

Details:

  • Author: Steadman, Dean
    Date:
    Created
    2016
    Summary:

    Shortlisted for the 2017 Archibald Lampman Award and the Raymond Souster Award

    Poems that echo Satie’s haunting music and refract the ironies of the Parisian Dada movement

    A man who might be Erik Satie floats, à la Magritte, above Paris rooftops, thinking of a newly-extinct species of songbirds, “contemplating grief in the absence of song.” By turns tender, wry, playful and fierce, the poems in Dean Steadman’s second collection, Après Satie – For Two and Four Hands, use surreal imagery, recurring characters and cyclical themes to evoke the repetitive nature of much of Satie’s music, as well as the artistic and intellectual temperament of Paris during Satie’s most creative years.

    The prose poems in the collection borrow titles from Satie’s piano compositions, and all of the poems are annotated in a manner similar to Satie’s published scores, using a selection of his performance instructions (for example, “like a nightingale with a toothache”).

    From the affair of Satie and painter Suzanne Valadon to the glimpsed lives of a contortionist, a French cowboy, a Falling Man, and a Floating Woman in the Dada-inflected prose poems, to the musings in other poetic forms that draw us forward in time, to a present-day hospice, or back, to the gallop of a mounted huntress, Après Satie involves us in the ongoing muddle of pain, sorrow, compassion, passion, joy and curiousness that is our human condition.

    “When he died, Erik Satie left twelve grey suits hanging in his closet. With surreal virtuosity Dean Steadman has pulled eighty-four sinuous poems and prose riffs out of their velvet pockets.”—William Aide

    “Shifting geography and perspective as easily as form, [these] poems beguile the senses as deftly as a menagerie of circus contortionists.” —Sandra Ridley

    Original Publisher: London, Brick Books
    Language(s): English
    Collection(s)/Series: Brick Books Poetry