Norman Levine was a permanent outsider, by temperament and by choice as Polish born immigrant, as resident alien, as writer, as Jew and he observed life from the margins with an unsentimental eye. Raised in Ottawa after immigrating, Levine served in the Royal Air Force during the Second World war. He then lived an itinerant life for a time before settling down in the community of St. Ives in England, becoming close friends with painters such as Francis Bacon and Patrick Heron. Impressed by the emotional immediacy of their abstract work, he tried to do the same in his writing, with his words aimed to sear his readers' nervous systems. In the process Levine developed the minimalist style, using a lean, fragmentary, suggestive language which served to heighten the emotional charges laden in his work, for which he became so rightly celebrated and emulated by other writers. Gathered together at last in a single volume, the stories in 'I Don't Want to Know Anyone Too Well' present the best work of one of the great English prose stylists of the last half of the twentieth century. These stories evince a vivid texture and sensibility and are elegaic in their exploration of alienation, impermanence and the fragility of human hopes, while forcing the reader through his imagistic approach into a new and uneasy relationship with language and, through it, life.