On December 6, 1917, the Canadian city of Halifax, Nova Scotia, was shattered when a volatile cargo exploded in the bustling wartime harbour. Over 1,600 people were killed and 9,000 injured. At the time, it was the worst man-made disaster in history. This book weaves together the compelling stories and potent lessons learned from this catastrophe.

Lesser argues that if women's voices had been equally heard and respected throughout history, humankind would have valued stories of caretaking and compassion over vengeance and violence.

A look at the inspirational lives of ten Black women of faith Do the names Elizabeth Freeman, Nannie Helen Burroughs, or Charlotte Forten Grimke ring any bells? Have you ever heard of Sarah Mapps Douglass, Frances Ellen Watkins Harper, or Maria Fearing? What about Sara Griffith Stanley, Amanda Berry Smith, Lucy Craft Laney, and Maria Stewart? While these names may not be familiar to you, these women lived faithful and influential lives in a world that was filled with injustice. They worked to change laws, built schools, spoke to thousands, and shared the Gospel all around the world. And while history books may have forgotten them, their stories can teach us so much about how we can live today.

By turns celebratory and sceptical, Career Limiting Moves is a selection of essays and reviews drawn from a decade of immersion in Canadian poetry. Inhabiting a milieu in which unfriendly remarks are typically spoken sotto voce'if at all'Wells has consistently said what he thinks aloud. The pieces in this collection comprise revisionist assessments of some big names in Canadian Poetry (Margaret Atwood, Lorna Crozier, Don McKay and Patrick Lane, among others); satirical ripostes parrying others' critical views (Andre Alexis, Erin Moure, Jan Zwicky); substantial appraisals of underrated or near-forgotten poets (Charles Bruce, Kenneth Leslie, Peter Sanger, John Smith, Peter Trower, Peter Van Toorn); assessments of promising debuts (Suzanne Buffam, Pino Coluccio, Thomas Heise, Peter Norman) and much else besides'including a few surprises for anyone who thinks they have Wells's taste figured out.

Leah Piepzna-Samarasinha is a poet and essayist whose most recent book, the memoir Dirty River, was a finalist for a Lambda Literary Award and the Publishing Triangle's Judy Grahn Award for Lesbian Nonfiction. She is also a long-time member of the disability justice movement, which advocates for the rights of the disabled. In her latest book of essays, Leah writes passionately and personally about disability justice, on subject such as the creation of care webs, collective access, and radically accessible spaces. She also imparts her own survivor skills and wisdom based on her years of activist work, empowering the disabled--in particular, those in queer and/or BIPOC communities--and granting them the necessary tools by which they can imagine a future where no one is left behind. Presently, disability justice and emotional/care work are buzzwords on many people's lips, and the disabled and sick are discovering new ways to build power within themselves and each other; at the same time, those powers remain at risk in this fragile political climate in which we find ourselves. Powerful and passionate, Care Work is a crucial and necessary call to arms.

Cannibal Tours and Glass Boxes poses a number of probing questions about the role and responsibility of museums and anthropology in the contemporary world. In it, Michael Ames, an internationally renowned museum director, challenges popular concepts and criticisms of museums and presents an alternate perspective which reflects his experiences from many years of museum work. Based on the author's previous book, Museums, the Public and Anthropology, the new edition includes seven new essays which argue, as in the previous volume, that museums and anthropologists must contextualize and critique themselves -- they must analyse and critique the social, political and economic systems within which they work. In the new essays, Ames looks at the role of consumerism and the market economy in the production of such phenomena as worlds' fairs and McDonald's hamburger chains, referring to them as "museums of everyday life" and indicating the way in which they, like museums, transform ideology into commonsense, thus reinforcing and perpetuating hegemonic control over how people think about and represent themselves. He also discusses the moral/political ramifications of conflicting attitudes towards Aboriginal art (is it art or artifact?); censorship (is it liberating or repressive?); and museum exhibits (are they informative or disinformative?). The earlier essays outline the development of museums in the Western world, the problems faced by anthropologists in attempting to deal with the often conflicting demands of professional as opposed to public interests, the tendency to both fabricate and stereotype, and the need to establish a reciprocal rather than exploitative relationship between museums/anthropologists and Aboriginal people. Written during the course of the last decade, these essays offer an accessible, often anecdotal, journey through one professional anthropologist's concerns about, and hopes for, his discipline and its future.

Social scientists' autobiographies can yield insight into personal commitments to research agendas and the very project of social science itself. But despite the long history of life writing, sociologists have tended to view the practice with skepticism. Canadian Sociologists in the First Personis the first book to survey the Canadian sociological imagination through personal recollections. Exploring the lives and experiences of twenty contributors from across the country, this book connects the unique and shared features of their careers to broad social dynamics while providing a guide to their own research and administrative contributions to their universities, their profession, and their broader society and communities. The contributors teach in different types of institutions, are prominent in the discipline and in their specializations, and represent significant and diverse intellectual currents, political perspectives, and life and career experiences. Aiming to start a broad conversation about what social science and the academic profession look like in Canada from an insider's perspective, Canadian Sociologists in the First Personoffers invaluable lessons for younger scholars as they envision a diverse sociological imagination for the twenty-first century.

In the first major study of postwar social movement organizations in Canada, Dominique Clément provides a history of the human rights movement as seen through the eyes of two generations of activists. Drawing on newly acquired archival sources, extensive interviews, and materials released through access to information applications, Clément explores the history of four organizations that emerged in the sixties and evolved into powerful lobbies for human rights despite bitter internal disputes and intense rivalries. This book offers a unique perspective on infamous human rights controversies and argues that the idea of human rights has historically been highly statist while grassroots activism has been at the heart of the most profound human rights advances.

Almost every Canadian can hum the original Hockey Night in Canada theme - even those who don't think of themselves as hockey fans. For more than a century, Canadians have seen something of themselves in the sport of hockey. Canada's Game explores the critical aspects of this relationship. Contributors address a broad range of themes in hockey, past and present, including spectacle and spectatorship, the multiple meanings of hockey in Canadian fiction, and the shaping influences of violence, anti-Americanism, and regional rivalry. From the Gardens to the Forum, from the 1936 Olympics to the 1972 Summit Series, from the imagined depictions in Canadian fiction to the fan's-eye view, Canada's Game looks at hockey's ability to reflect Canadian identity.

Contributors include Julian Ammirante (Laurentian University at Georgian), Jason Blake (University of Ljubljana, Slovenia), Robert Dennis (Queen's University), Jamie Dopp (University of Victoria), Russell Field (University of Manitoba), Greg Gillespie (Brock University), Richard Harrison (Mount Royal College), Craig Hyatt (Brock University), Brian Kennedy (Pasadena City College), Karen E.H. Skinazi (University of Alberta), and Julie Stevens (Brock University).