What does it mean to become a man in the Arctic today? Becoming Inummarik focuses on the lives of the first generation of men born and raised primarily in permanent settlements. Forced to balance the difficulties of schooling, jobs, and money that are a part of village life with the conflicting demands of older generations and subsistence hunting, these men struggle to chart their life course and become inummariit - genuine people. Peter Collings presents an accessible, intelligent, humorous, and sensitive account of Inuit men who are no longer youths, but not yet elders. Based on over twenty years of research conducted in Ulukhaktok, Northwest Territories, Becoming Inummarik is a profound and nuanced look at contemporary Inuit life that shows not just what Inuit men do, but who they are. Collings recounts experiences from his immersion in the daily lives of Ulukhaktok's men - from hunting and sharing meals to playing cards and grocery shopping - to demonstrate how seemingly mundane activities provide revelations about complex issues such as social relationships, status, and maturity. He also reflects on the ethics of immersive anthropological research, the difficulties of balancing professional and personal relationships with informants, and the nature of knowledge in Inuit culture. Becoming Inummarik shows that while Inuit born into a modern society see themselves as different from their parents' generation, their adherence to traditional ideas about life ensures that they remain fully Inuit even as their community has witnessed drastic upheaval.

One of the first transnational, feminist studies of Canada's black beauty culture and the role that media, retail, and consumers have played in its development, Beauty in a Box widens our understanding of the politics of black hair. The book analyzes advertisements and articles from media-newspapers, advertisements, television, and other sources-that focus on black communities in Halifax, Montreal, Toronto, and Calgary. The author explains the role local black community media has played in the promotion of African American-owned beauty products; how the segmentation of beauty culture (i.e., the sale of black beauty products on store shelves labelled "ethnic hair care") occurred in Canada; and how black beauty culture, which was generally seen as a small niche market before the 1970s, entered Canada's mainstream by way of department stores, drugstores, and big-box retailers. Beauty in a Box uses an interdisciplinary framework, engaging with African American history, critical race and cultural theory, consumer culture theory, media studies, diasporic art history, black feminism, visual culture, film studies, and political economy to explore the history of black beauty culture in both Canada and the United States.

When Gretchen Carlson made the decision to "walk off the set" and speak up about sexual harassment in the workplace, women all over the world joined the movement and began to take back their lives, careers, and dignity. Gretchen became the voice for the voiceless. In this book, Gretchen shares her experience and powerful stories from the thousands of women who have reached out to her and who refuse to submit to intimidation of any kind.

Building on his previous two books, "Bad Medicine" and "Bad Judgment," John Reilly acquaints the reader with the ironies and futilities of an approach to justice so adversarial and dysfunctional that it often increases crime rather than reducing it. He examines the radically different indigenous approach to wrongdoing, which is restorative rather than retributive, founded on the premise that people are basically good and wrongdoing is the aberration, not that humans are essentially evil and have to be deterred by horrendous punishments.

From funny and fearless entertainment journalist Sesali Bowen, Bad Fat Black Girl combines rule-breaking feminist theory, witty and insightful personal memoir, and cutting cultural analysis for an unforgettable, genre-defining debut. Growing up on the south side of Chicago, Sesali Bowen learned early on how to hustle, stay on her toes, and champion other Black women and femmes as she navigated Blackness, queerness, fatness, friendship, poverty, sex work, and self-love. Her love of trap music led her to the top of hip-hop journalism, profiling game-changing artists like Megan Thee Stallion, Lizzo, and Janelle Monae. But despite all the beauty, complexity, and general badassery she saw, Bowen found none of that nuance represented in mainstream feminism. Thus, she coined Trap Feminism, a contemporary framework that interrogates where feminism meets today's hip-hop. Bad Fat Black Girl offers a new, inclusive feminism for the modern world. Weaving together searing personal essay and cultural commentary, Bowen interrogates sexism, fatphobia, and capitalism all within the context of race and hip-hop. In the process, she continues a Black feminist legacy of unmatched sheer determination and creative resilience. Bad bitches: this one's for you.

Published in 1981, Bachelorhood was Lopate's personal experiences as an unmarried man in the big city. Specifically he explores four themes of bachelor life: relationships with women and love; the observer; friendship-with those both married and single; and the artist and thinking man. Entertaining, though provoking and occasionally even heartbreaking, Bachelorhood is a fantastic collection of essays.

"Dans la nuit du 22 octobre 1980, au 540 de la rue de la Tourelle à Québec, une jeune comédienne est assassinée. Quarante ans plus tard, le mystère subsiste : l'homme qui s'est accusé de ce crime abject était-il le véritable coupable ? Ce docu-polar revisite l'une des causes judiciaires les plus longues et les plus controversées de l'époque. Grâce aux confidences du lieutenant Jacques Simoneau, aux témoignages d'acteurs de premier plan du drame, mais aussi à la volumineuse preuve de milliers de pages citée aux deux procès, l'auteur reconstitue l'ultime soirée que France Lachapelle a passée avec son ami le metteur en scène Robert Lepage, le dernier à l'avoir vue vivante. Suspecté à tort pendant des mois et soumis au test du polygraphe, celui-ci a été profondément bouleversé par l'expérience. Quatre décennies plus tard, il a bien voulu se confier sur cette triste affaire. Des avocats et des procureurs chevronnés, un pyromane voyeur qui sème la terreur, des questions encore sans réponse aujourd'hui : tous les ingrédients sont réunis pour priver le lecteur de précieuses heures de sommeil. Et pour évoquer le souvenir d'une jeune femme en droit d'attendre bien davantage de la vie.".

Vancouver prides itself on being a green city, and the west coast is known for its active environmental protest culture. But the roots of this mentality reach far beyond the founding of organizations such as Greenpeace. Small campaigns led by local community groups from the 1960s onward left a lasting impact on the region. At the Wilderness Edge examines five antidevelopment campaigns in and around Vancouver that reflected a dramatic decline in public support for large-scale commercial and industrial projects. J.I. Little describes the highly effective protests that were instrumental in preserving threatened green spaces on Coal Harbour, Hollyburn Ridge, Bowen Island, Gambier Island, and the Squamish estuary, keeping these important British Columbia landmarks from becoming a high-rise development project, a downhill ski resort, a suburban housing tract, an open-pit copper mine, and a major coal port, respectively. Through detailed analysis of development proposals and protests, government studies, and community responses, Little argues that it was not the usual suspects - 1960s radicalism and anti-establishment youth culture - that initiated and carried out these protests, but rather middle-aged, middle-class, politically engaged citizens, many of whom were women. An engaging study of grassroots politics in action, At the Wilderness Edge sheds new light on the rise of environmental consciousness, a pivotal era in the history of British Columbia, the Pacific Northwest, and Canada.

Illuminating African narratives for readers both inside and outside the continent. Representing the very best of African creative nonfiction, Safe House brings together works from Africa's contemporary literary greats. In a collection that ranges from travel writing and memoir to reportage and meditative essays, editor Ellah Wakatama Allfrey has brought together some of the most talented writers of creative nonfiction from across Africa. This collection of the first five singles from the Safe House anthology gathers work from the very best of contemporary African writers. Includes: Fugee by Hawa Jande Golakai Made in Nima by Kofi Akpabli Eating Bitter by Kevin Eze Safe House by Isaac Otidi Amuke Walking Girly in Nairobi by Mark Gevisser