'Tis a Wonderful Time to Be Alive is Winston Oldford’s personal account of growing up in Burnside, Bonavista Bay, in the 1940s and 1950s.

The tiny community underwent a baptism by fire—literally—in the early twentieth century. Following a devastating forest fire in the area in 1912, the settlements of Squid Tickle and Holletts Cove became known, collectively, as Burnside. Today, with a population close to 200, it is one of seven communities on the Eastport Peninsula.

This book takes a look at the history of Burnside, as well as the day-to-day lives of those who have lived in the community over the last two centuries. Winston Oldford takes the reader on a guided tour of his hometown and the cultural foundations upon which Burnside was built.

En 1863, un groupe de travailleurs originaires du Québec et domiciliés à Ottawa décident de fonder une association de prévoyance pour aider leurs prochains dans le besoin. En s'inspirant de leurs expériences respectives au sein d'associations de prévoyance québécoises, les fondateurs établissent une première société de secours mutuels canadienne-française à Ottawa : l'Union Saint-Joseph d'Ottawa. Malgré une naissance et des débuts modestes, cette association connaîtra une grande histoire. Elle deviendra l'une des plus grandes sociétés fraternelles nationales, avec des ramifications dans plus de 600 communautés canadiennes-françaises du Canada et des États-Unis. Cet ouvrage analyse la fondation de l'Union Saint-Joseph d'Ottawa et son évolution entre 1863 et 1920. Durant cette période, cette petite association locale, dont les activités visent essentiellement le secours de la classe populaire, évolue pour devenir une grande société fraternelle nationale vouée à la sauvegarde des intérêts des Canadiens français. L’essentiel de ces mutations survient à la fin du XIXe siècle, alors qu’une petite élite entreprend des réformes administratives qui changent la manière de gérer la mutualité. Cette élite en profite également pour reformuler le projet social de l’association et ses objectifs afin de transformer l'Union Saint-Joseph en un instrument de lutte pour la survivance canadienne-française.

Do both the zoo and the mental hospital induce psychosis, as humans are treated as animals and animals are treated as humans? How have we looked at animals in the past, and how do we look at them today? How have zoos presented themselves, and their purpose, over time? In response to the emergence of environmental and animal studies, anthropologists, sociologists, philosophers, theorists, literature scholars, and historians around the world have begun to explore the significance of zoological parks, past and present. Zoo Studies considers the modern zoo from a range of approaches and disciplines, united in a desire to blur the boundaries between human and nonhuman animals. The volume begins with an account of the first modern mental hospital, La Salpêtrière, established in 1656, and the first panoptical zoo, the menagerie at Versailles, created in 1662 by the same royal architect; the final chapter presents a choreographic performance that imagines the Toronto Zoo as a place where the human body can be inspired by animal bodies. From beginning to end, through interdisciplinary collaboration, this volume decentres the human subject and offers alternative ways of thinking about zoos and their inhabitants. This collection immerses readers in the lives of animals and their experiences of captivity and asks us to reflect on our own assumptions about both humans and animals. An original and groundbreaking work, Zoo Studies will change the way readers see nonhuman animals and themselves.

From the club that introduced such stars as Jim Carrey, Mike Bullard, Howie Mandel, Norm MacDonald, and Russell Peters, along with dozens more, The Yuk Yuk's Guide to Canadian Stand-Up is guaranteed to make milk come out of your nose. Mark Breslin - founder of Yuk Yuk's, the largest chain of comedy clubs in North America, and the initial force behind XM Satellite Radio Canada's comedy channel - narrates the past, present, and future of Canadian comedy. Following the explosion of talent from the mid-70s to today, Breslin explores the unique qualities that make Canadian stand-up unique. Listeners are treated to behind-the-scenes stories of great comics and clubs, as well as to excerpts from an array of favourite routines by well-known performers. Breslin brings to life the history of Canadian comedy with hours of vintage performances from Yuk Yuk's comprehensive and exclusive archives. Representing the classic work of some of Hollywood's biggest stars, along with current and past gems, The Yuk Yuk's Guide to Canadian Stand-Up is 100 percent Canadian and the only audio collection of its kind.

Real cases from the Supreme Court dealing with youth issues. Laws, as they relate to youth and youth issues, can be difficult to understand for those they are intended to serve. In the first book of the Understanding Canadian Law series, author Daniel J. Baum breaks down the Supreme Court of Canada’s decisions relating to youth in plain language intended for readers of all ages. Drawing on examples from recent Supreme Court rulings, Youth and the Law walks the reader through such controversial subjects as spanking, bullying, youth violence, and police in the schools. Each chapter contains prompts to encourage critical thinking. Youth and the Law is an objective introduction for all readers to better understand how law impacts the young.

A day-by-day celebration in words and photographs of the young couple’s first tour of Canada. On April 29, 2011, Prince William of Wales married Catherine Middleton at Westminster Abbey in London. The newlyweds’ first royal tour took place in Canada from June 30 to July 8. People across the country rejoiced with the couple as they made their way through a land that holds special significance for the Royal Family, emphasizing and renewing the bond with Canada. This was not the Duke of Cambridges first trip "home to Canada," since he accompanied his parents, Charles and Diana, in 1991 and his father and brother, Harry, in 1998. This journey included such highlights as Canada Day in Ottawa, dragon boating in Prince Edward Island, visiting homeless youth in Quebec City, street hockey in Yellowknife, and a side trip to help bolster the courage of fire-devastated citizens in Slave Lake, Alberta. The Duke and Duchess presented the vibrant, modern face of the Royal Family, and excitement followed them everywhere as they travelled across Canada.

Taking inspiration from John Glassco's Memoirs of Montparnasse, Young Hunting is both a story of discovery and transformation. While Toronto changes around him, from a puritanical British colonial outpost to a mixing bowl filled with colourful cultural components, a young boy emerges from his middle class childhood to become a flamboyant adolescent, a questioning adult who refuses to accept conventional wisdom. The Toronto of the '40s and '50s is often painted as the epitome of dull convention--but this was clearly not Martin Hunter's experience. The child of eastern Ontario farmers, he was exposed to fundamentalist Presbyterian values; yet at the same time he was connecting with a number of remarkable artists who profoundly influenced the course of his young life. In Young Hunting, the dichotomy is personified by Hunter's two closest friends: Dick, who would become an Academy Award-winning animator; and Jimmy, who would go on to become the minister of Canada's largest Presbyterian church. The pull of each of these influences was strong, and each helped define both Hunter's youth and developing view of life. Along the way, he soaked up vast and varied experience: as an actor in a children's theatre company; a boarder at an evangelical summer camp; a messenger delivering samples on Queen Street; an officer cadet in the Royal Canadian Navy; a student at Oxbridge-inspired Trinity College; and as a labourer at both a mining camp in the Yukon and a paper mill in Quebec. And while, as Young Hunting explains, Martin Hunter 'thoroughly enjoyed the often ludicrous pretension of these various institutions,' it was not until he escaped to fulfill his 'dreams of high culture' that he gained true perspective on his life's journey--discovering that Europe's vaunted old world cultural superiority was just as hollow as the institutions of his homeland.

Evocative and superbly rakish, these essays are a generous diagnosis of the often offbeat worlds of family, writing, travel, sex and death as interpreted through the real life adventures of Susan Musgrave. Equally at home recounting the lore of her outlaw husband Stephen Reid, or interpreting the arcane rituals of her teenage girls, Musgrave brings to her literary essays that same invigorating freshness for which he has become known in her fiction and poetry. In settings ranging from the aching solitude of the Queen Charlotte Islands to the sweaty intensity of bandido apartments in Panama, the reader will find Musgrave musing with her legendary wit and pastiche, while creating graffiti-like impressions of the writer's essential take on those closest to her.

You Look Good for Your Age is a collection of fiction, non-fiction, and poetry about ageism by 29 women writers ranging in age from forties to nineties. The anthology responds to a culture that values youth and that positions aging in women as a failure. Questions arise. What effects do negative social assumptions have on women as they age? What messages about aging do we pass on to our daughters? Through essays, short stories, and poetry, the contributing writers explore these questions with thoughtfulness, satire, and fury. Contributors: Rona Altrows, Debbie Bateman, Moni Brar, Maureen Bush, Sharon Butala, Jane Cawthorne, Joan Crate, Dora Dueck, Cecelia Frey, Ariel Gordon, Elizabeth Greene, Vivian Hansen, Joyce Harries, Elizabeth Haynes, Paula Kirman, Joy Kogawa, Laurie MacFayden, JoAnn McCaig, Wendy McGrath, E.D. Morin, Lisa Murphy Lamb, Lorri Neilsen Glenn, Olyn Ozbick, Roberta Rees, Julie Sedivy, Madelaine Shaw-Wong, Anne Sorbie, Aritha van Herk, Laura Wershler.